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Flight
 

Flight


aplumpton
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Exposure Date: 2010:08:21 15:51:50;
Make: LEICA;
Model: D-LUX 3;
Exposure Time: 1/100.0 seconds s;
FNumber: f/2.8;
ISOSpeedRatings: ISO 400;
ExposureProgram: Other;
ExposureBiasValue: 0
MeteringMode: Other;
Flash: Flash did not fire, compulsory flash mode;
FocalLength: 6.3 mm mm;
FocalLengthIn35mmFilm: 34 mm;
Software: Adobe Photoshop Elements 9.0 Macintosh;


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My harmonious flight image is pre Photoshop (c1988, when I had opened

my darkroom), created by enlarging two negatives, one of the sky, the

other of a violin printed 13 times in different positions on the photographic

paper under the easel. The original holds more detail than my early digital

copy of the final print.

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Arthur, Migratory birds have an impact on our imagination. You did it with violins. In one of my sculptures I used horseshoes to get this impression.

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Marco, earlier today, when my internet was actually functional, I went to your sculpture website. Werken I sculptures were a revelation in the lightness and expressiveness potential of the medium. My appetite wasn't lessened in the following portfolios of your sculptures. Beautiful art and a place to return to, as for your photos. I was listening to the British composer Vaughan-Williams ("The lark ascending") when I decided to take an old fiddler's violin, photograph it and combine it with a sky negative. I imagine a flying horseshoe sculpture would be equally (and I hope you don't mind the word) extravagant.  

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Arthur, Thank you for visiting my sculpture site. I am glad with your observations. In the last ten years I made more than 200 sculptures. On the site I show only a small selection.

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