gsphotoguy 3 Posted November 11, 2014 I love the use of the red clothes and how that carries over from the painting and lamp. I also like the way she is touching her hair and her amazing expression. I am wondering if you considered cropping this as a square ending just left of her? Link to comment
John Peri 1,039 Posted November 12, 2014 Thank you Mark, I had tried this crop, which is not what you suggest, but I agree with Maurizio Moro that it takes away from the effect. Many thanks for passing by. Link to comment
gsphotoguy 3 Posted November 12, 2014 I feel the image needs the painting. Certainly the context in this broader crop works. Link to comment
ricardo_spanks3 0 Posted November 12, 2014 I think I would crop to the model's right. Just where the glass panes start. Link to comment
Pierre Dumas 309 Posted November 12, 2014 The lighting is perfect, the environment beautiful and the model has an unusually naive and maybe a bit sad expression! The lighting is really fascinatingly rendered! The expression, the hint of night made by the dark look on the terrace tells a story of a lonely girl in the night! Very, very well done, John! Congratulations! Best regards PDE Link to comment
John Peri 1,039 Posted November 12, 2014 A very interesting critique to read,thank you Pierre. Link to comment
danielheller 0 Posted November 12, 2014 I would try cropping to a perfect square. The area to the right of the model is interesting and rich in color and detail. The area to the left less so and should be cropped IMHO. A wonderful image. Regards. Link to comment
alberto_quintal 2 Posted November 13, 2014 Great work, so lovely scene and colors, the model is gorgeous.Cheers Link to comment
morophaenixmau 27 Posted November 13, 2014 Dear friend, I'm happy for your words and...the option! Link to comment
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