Chop with pesto

Your comments are most welcome, thanks.

This is a great series! Tasteful, elegant and strong composition with high quality.

Another cool shot. I'm envious. Your situation could make someone find out how many photos per second their camera could take and for how long.

I like the comp.The ridge(?) in the lower part of the image is a good touch. Good texture and definitely unusual image.

Thanks folks. My camera only does a little over 1 frame per second. I took about 250 images in 40 minutes. This was about half of what the other guys took. I was seriously focussing on composition which is quite a challenge.

Of course Jeff, I suppose that the real challenge was to do the composition according the main subjects that your eyes had seen and evaluating very quickly. I imagine that the other topic was to fix correctly the focus. Did you apply a manual procedure? In case of autofocus selection I image that the Hasselblad has less speed focus that a  DSLR. In this case, has the image  a perfectly focus?...I ask to you that, because I don't see the scene perfectly focussed. I'm right? Or are my eyes :-(  I know that you are a very strict  person about photographic technique and final editing.

 

PD. Jeff,I Usually I never recommend to do a crop or a big crop, but in this case maybe will works well, perhaps you leaved too much space under the chop & and pesto

Thanks Mario. This was shot at an altitude of 312m. I focussed on infinity before taking off and never touched it during the flight. The pesto is the only thing that would look in focus as most of the rest of it is under water. It is a little soft but passable for a shot like this, I think. I agree about the crop but I want that line in the image. This is one of a number featuring this little island. I should probably have chosen one with a better composition. I'm not used to having to deal with such a large number of shots at a time.

This is another great aerial abstract, that looks like an eye to me. Love all of these images, they are great pieces of eye candy, Jeff.

Thanks for your explanation, I image that the best option to avoid touching continuously the focus is to fix it at infinite position. Now I understand why I didn't find the focus about the rest of image the surface was under water and it has this appearance like a soft touch of blur.Best regards