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© Copyright Linda McLellan

any which way


LindaM

Exposure Date: 2010:09:05 07:34:50;
Make: NIKON CORPORATION;
Model: NIKON D300;
ExposureTime: 0.01 s;
FNumber: f/8;
ISOSpeedRatings: 200;
ExposureProgram: Aperture priority;
ExposureBiasValue: 0;
MeteringMode: Pattern;
Flash: Flash did not fire;
FocalLength: 46 mm;
Software: Adobe Photoshop CS3 Macintosh;

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© Copyright Linda McLellan

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I detect great care in composing this love-or-hate scene, if I dare to describe this so. Fine play betweent those black tunnels and those orange clouds (as I see them). Colors are prime and especially the sidelight is delicious as it brings out the shrinked structure of those orange tapes(?). Surely we don't see too many of this kinds, sorta vitamin injections, so thank you.

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A super image - - I love the lines and the two colors.  It gives me the feel of an abstract image that has been very carefully and thoughtfully evaluated before pressing the shutter.

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I love the composition here, and the color of course. Those orange labels perfectly scattered on the background are a treat against the blue foreground. I did a shot a little like this one last year which I think I hadn't posted so far, as it was far less of a keeper than yours. Here it is...just for you, Linda!

17935096.jpg
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I see these three photos that are on your home page as a series. They are tied by color and subject and, together, make a very compelling real world statement. The sky adds enormously as the only sort of "natural" color, the other color reflecting the more man-made industrial versions of the same colors. We can see sky and clouds in the blues you've used. 

One might think you were a NY Mets fan (my team growing up) from the color scheme.

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Thank you all!

 

Fred, You are correct that these last three images are meant to be seen together. Oddly enough they were all three found in the same location. I suppose the sensible thing to do would be to combine them in a triptych. I often use pnet as a place to put my work and step away from it in order to see it better.

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