Hángzhōu (杭州)

As a photographer I am used to organizing my photography work

(portraiture) into series, that usually have a very strong concept. I used

to think that this idea may help me; not only in the strenght of the work,

but also in the construction of the image. However, I have recently

realized that sometimes I just shrink my possibilities and I didn't explore

the subject before taking the photograph, that was just because I had

already decided the "look" of the series no matter if it changed the

enviroment of each portrait; though, sometimes this ends in a Cul-de-

sac, also know as dead-end. Recently, I decided to change dramatically

the way I take my photographs, just to see what happen... I have been

trying not to make schemes before making my photos; I tried to arrive to

the image through a more unconsciousness path. I should say I am

quite anxious about the results of this new experience; However, It feels

awesome! I look forward to know your opinions about these ideas and of

course don't hesitate to show all your sincerity by telling me what you

think about these images...

I like this capture a lot. It may run counter to your current more free style, but I also very much like your gallery of shots from Hangzhou, you did a far better job of capturing the feel of this city than my own efforts while there and I appreciate being able to see your view of this city.

Manuel; The rather simple, repetative desgn of the forground balances nicely the complexities of the window, gate, roof tiles and greenery of the background. Everything works because your composition is strong. You may not be as far from your 'series' of photos that tell a story as you think. With a single photo, you can arrange various elements into a composition that also tells a story. Here you've done just that, and done it verywell. Cheers; Lee