paris, ile de france, france Untitled

I liked this one since I saw the thumbnail. It's good because the eyes goes from the plain and ordered foreground to the chaos in the background. I like the expression of the man, juxtaposed to the designing painter. The compressed perspective - don't know if due to a telephoto or to the post-processing - perfectly suits the scene.

I think that this photo conveys a message. A (sur)-real street scene.

There is another element: the painter's model is hidden behind the canvas, but appears as if she melts into the picture from the back.