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March Pussywillow # 22


t37traveler

EXIF Information extracted from file:
DateTimeOriginal: 2009:03:11 15:39:17
Camera Make: NIKON CORPORATION
Camera Model: NIKON D700
Exposure Time: 1/200.0 seconds
FNumber: 18.0
ISO Speed Ratings: ISO 400
Exposure Program: Manual
ExposureBiasValue: 0
MaxApertureValue: 2.8
MeteringMode: multi-segment
Flash: Flash fired, compulsory flash mode, return light detected
FocalLength: 105.0 mm
Software: Adobe Photoshop CS2 Macintosh


From the category:

Flower

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Please view large. Photo taken late in day with minimal post processing (except for

addition of frame). : ) Comments/critiques especially appreciated. Thanks.

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Congratulations on your new camera, it looks like your not wasting any time putting it to work. I like both number 22 and 24, the light on the pussy willows has a strong feeling of Spring and in both images the contrast is perfect between the branches of your subject and the background. I like the way you have composed this, telling a more complete story by including the dark bare branched of Spring. Beautifully done!
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Hi Jim-

 

Thanks for the critique and comments. The contrast in seasons was exactly what I was trying to capture. I shot this standing on my roof -not the sloping part - a flat roof of a very long porch. I think too much abaout that camera to recklessly endanger it already! : ) Fifteen years ago, I planted this little sprig nera the porch, and it grew into a monster pussywillow tree over two stories tall. The elevated porch roof venue gives me a ton of natural backdrops - moss, cloudy sky with barren trees used here, green bamboo, brown fencing, dark rust red siding,... great playground. So there I am on the roof holding the D700 in my right hand and holding the pussywillow branches in position with the other. I did use a tripod for a few shots. The flash lit the foreground; background was lit by the remains of daylight on an overcast afternoon.

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Wonderful composition and capture. The background has an almost black and white appearance but there are those little hints of color to let us know that it is not B&W. Because the background is low key the main subject has presence. On my 70-300mm I find that f8 is a good choice re sharpness and still keeping the background still relatively undefined. I fond some parts of flower to be a little soft and it might well be my eyes. In any event I have done a selective sharpening (layer/vector mask) on some parts of the flowering bud for your scrutiny. Best regards,

14862256.jpg
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Beautiful composition and choice of color for the background. I find Tony's version even better, with the slight sharpening. Thanks to both Sandra and Tony.
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Hi Tony-

I think I see the sharpened area - it's hard because I have to toggle and can't see the images side by side to study them. I have no idea how to use vector masks.... I'll get there, but self teaching takes time, and if is isn't in Scott Kelby's book, it takes even more time - Adobe instructions can be pretty obscure... I thought some of the contrast/shadow problem might be that my monitor is 4 years old and probably needs recalibration.... I tried using the built-in tool - and let's just say it didn't work too well, so now I'm struggling with the terrible instructions with the Gretag Macbeth Eye-one Display 2 (had to go on-line to find out that I don't need to disable Adobe Gamma on a Mac before calibrating). Sooo - my photos are going to be coming a little more slowly until I get that figured out. I did learn I should set the native contrast to PC 2.2; Mac is much softer/lighter at 1.8, so my shaded areas may be a little off. I don't know if you checked the EXIF data for this pic . I was shooting macro with TTL flash at f/18 @ 200 handheld, ISO 400 with my 105 Sigma macro lens - plane to subject was at the minimum. At that distance even at f/18, dof was insanely narrow. I do really like the abstract background on this - it is totally unaltered. Thanks for all your suggestions. I really do appreciate them

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