Jack McRitchie 150 Posted October 23, 2008 I think the first task that a photographer must accomplish is to fix the fickle, wandering attention of the viewer. I have a certain point of view when it comes to photography and that is the importance of engaging the viewer in the creative process. I'm not so much interested in viewer as passive admirer or even viewer as critic. There must be some way (in my opinion) for the picture to hook the curiousity of the serious viewer and stimulate the onlooker to somehow actively participate in the experience, lifting the picture beyond the picture frame and into the realm of the mind - whether visually, emotionally or intellectually. It is this lack of explicitness that serves as entryway and allows the mind to play. Link to comment
florainer 0 Posted October 30, 2008 lovely tones, lovely subject, great "action", superb image. Link to comment
SARTMADJIEV 0 Posted July 1, 2009 Just a classic. Great work. A real aesthetic pleasure. Thanks for sharing. Link to comment
kentb2 0 Posted September 9, 2009 As witnessed in you "Scapes" folder, I do love your high-key approach with certain subjects. A heightened feeling of purity is felt through subtle hues of white on white, with just enough shadow to define a suggestion of shape. An artistic and glorious study of negative and positive shape. Link to comment
Guest Guest Posted October 10, 2009 There's a brilliant melancholy to it. But it's also comforting. Reminds me of the song "Bathtime" by the Tindersticks : There's a city filth that lingers All over my naked hands Deep into the weave of the clothes i wear And every step brings another Every hour adds some more Till i'm on the other side leaning on your door Are the taps running, darling? Is the air thick with steam? Can i find some place to cry these tears of shame? Every step brings another Every hour adds some more Till i'm on the other side leaning on your door There's a smell so sweet it's sickly It follows me into the room Hangs in the air like rotting perfume I never bathe in it, darling Got down on my hands and knees Got in so far, i became, well, a part of it all I've been wading through it Don't you know it's up to my neck? And it won't be long 'fore it's over my head And it's the thought of you in my mind, keeps me. . . Thought i knew these streets, and how they turn Could always find my way home There's something there, can't leave it alone The trains they run all night We could leave everything behind Just bring that dress you bought when we first met I know it's faded, darling I know it's tattered and worn In that dress, i could never love you more I've been wading through it Don't you know it's up to my neck? And it won't be long 'fore it's over my head And i can suck it into my love, breathe it in Link to comment
gordonjb 10,860 Posted November 11, 2009 The image itself is knock out good, the treatment sends it into the land of dreams and half forgotten memories. I'll leave you with a slightly obscure lyric from a Slapp Happy song. " All my dismembered - half remembered yesterdays, clearly interfere with being here today " Peter Blegvad Link to comment
tonmestrom 4 Posted November 14, 2009 stunningly good in every respect. What more needs to be said? Link to comment
laurent_jaussi 0 Posted January 31, 2010 simplicity and subtility is what come to my mind...it strikes me how the subtle light tones suggest elegance and intimacy... Link to comment
Guest Guest Posted November 2, 2011 We all find varying degrees of comfort in rituals of one form or another, don't we? The overall whiteness of this shot imbues it with a sense of tranquility for me. There's also a slight element of voyeurism here for me, an element that touches just enough on the sensual to make it even more interesting. Link to comment
je ne regrette rien 67 Posted December 9, 2014 Outstanding!This is just beautiful and the high-key is perfect. Link to comment
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