gerry_bridge1 0 Posted April 16, 2006 A very stricking image, Pnina however, I have to agree with Amar. I think the image on the RH side detracts from the dynamics of the two main dancers. Link to comment
orensztajn 0 Posted April 16, 2006 This is very nice, I have to say that the original is very good. I like the 2 dancers and the dynamic feeling you gave them, but I do not know about the guy a the right side. I know you are experiment, but it feels like the 2 dancers have a connection and that is lost in the guy comming in (from your ...exit pic). But it is a very good pic no matter how you do it. Rgds Link to comment
pnital 36 Posted April 17, 2006 Howard, Gerry and Gustavo, thanks, I'm working on that scene and others again and again to find other ways, so I hope to upload more of them. thanks, Pnina Link to comment
raywei 0 Posted April 17, 2006 This is my favorite, of course, I like other ones too. But this has the contrast of motion and non-motion figures, warm and cool colors, sharp and not sharp arrangement. A great capture, Pnina. Congrats. Link to comment
pnital 36 Posted April 19, 2006 Ray, You have identified in your comment what I thought while composing it ! Thanks, it was good to see that your thoughts are similar to mine, Pnina Link to comment
donnaalbers 0 Posted April 22, 2006 Pnina, I love the posture and the interaction of the two dancers . . . the turquois layer enhances the dynamic movement and the vitality of the scene. . great creativity on your use of layers . . . for me, the person on the right is only a distraction. . . Link to comment
pnital 36 Posted April 22, 2006 Donna, Some did not like the third dancer, Ray Wei depicted it according to my thoughts, I have another version of this one. Thanks, Pnina Link to comment
salvatore.mele 1 Posted April 27, 2006 Pnina, I like the sepia version a lot. I think you captured so much tension and energy in that one that you do not need all the other post-processing and enhancement. In particular, what I like in the sepia instalment is that is very elemental. We just concentrate on all the energy trapped between the two dancers. The outlines of their bodies do not touch, but that's just for a thin space: lots of tension. Tension enhanced in the glance they are exchanging and in the stance between two movements. Please, do reconsider that version and do not hide it in a comment thread: to me is a very good shot. Link to comment
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