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Tysons 107


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Abstract

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I would suggest using something that incorporates "variations," as in the "Goldberg variations" or the various "Variations on a Theme" by Paganini. I find windows 3-3, 4-1, and 5-3, and to some extent 6-1, most interesting in terms of said variation. As has been said with your other glass reflection shots, the immediate chaos that is balanced by an underlying, rigid structure is quite interesting.
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Unlike some of the other series, I don't see each cell as being sufficiently similar to see them as variations, especially given the different characteristics of the middle row compared to the top and bottom. Beyond the A-B-A form implied by the rows, the idea of breaking the image down further into eighteen different pictures is very much the point, as you have noted. Maybe "Eighteen pictures" or "A-B-A" would suffice.
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Maybe "18 conversations"? I see a lot of picasso-esque mouthing, although [1,6] looks intruigingly different with a hint of klimt-like eroticism instead, so perhaps only "17 conversations and a nude"...
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