daniel 0 Posted December 5, 2001 Hi Try flipping off the light outside for part of the shoot, and maybe pulling on the light inside for just a second or so. Why did you label it HIGH contrast? Is it that way to start with or did you lose it on the scan? Link to comment
frank uhlig 0 Posted December 5, 2001 Daniel, the light outside is the sun. Who can turn that off? The lightbulb inside would add very little illumination. A flash would kill the shot. The paper and film picture both look just like the scan: white washed out completely. Deliberately. To get the inner white frame and the top right black corner. Link to comment
andrew_lee2 0 Posted April 12, 2002 I must say I like it. The light coming in from outside is very impressive. Link to comment
olivenu 0 Posted July 8, 2003 This really does it for me. I find it so hard to document these firey reflections. Mine happens to be 6:15. I appreciate your position here. Link to comment
stephen sullivan 0 Posted December 20, 2003 I like the shot. Bravo! By overexposing, you ask the question, "Who's on the other side?" With the bright whites and yellow, you've achieved a great shot. I'll rate this shot highly. Link to comment
jbs 6 Posted February 6, 2004 Well I love this shot not because of the contrasts although, that's nice, For me it's a world of lines..Youve composed the picture leaving the doorway intact forming a rectangle which is balanced by the 90degree angles of the freezer(?).Add to this the multiple Radius' in the center,& lest we forget the oval to the left bottom...make this image (in my mind at least)very semmetrical and quite beautiful...J Link to comment
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