vito Posted April 19, 2004 Share Posted April 19, 2004 There is a PS technique that allows you to sharpen only contrasty, more relevant parts of the picture and leave the smoother parts of the picture unchanges (like sharpening eyes and leaving skin smooth on a portrait). It is called luminance sharpening or something I think... I saw it in the book once, but totally forgot what I read. I am well familiar with Unsharp Mask, but the rest of the procedure is foggy. Can someone give me quick step-by-step instructions on this method? Thank you. Link to comment Share on other sites More sharing options...
costas_lymbouris Posted April 19, 2004 Share Posted April 19, 2004 Hi Vito, You can find some step by step instructions on Edge sharpening written by Fred Miranda at this page on outbackphoto http://www.outbackphoto.com/workshop/photoshop_corner/essay_05/essay.html Not sure about the blending options given, I usually set the sliders to Top slider 20/60 and 200/240 bottom slider 20/40 and 210/240 but it all depends on the image. Link to comment Share on other sites More sharing options...
jespdj Posted April 19, 2004 Share Posted April 19, 2004 Have a look at this: <p><a href="http://www.shutterfreaks.com/Tips/joukosharpening.html">Sharpening with Style</a> by Jouko Ruuskanen Link to comment Share on other sites More sharing options...
beno_t_marchal Posted April 19, 2004 Share Posted April 19, 2004 <p>I have learned (and use) a simpler variation on the above methods. It is very fast and it works well. <p>The trick, of course, remains to build a mask so the sharpening applies to selected portions of the image only. A quick mask is simply to load one of the channels, specifically for portraiture, the red channel does wonder. <p>So I select the channels palette, command-click on the red channel, inverse the selection (Select|Inverse), hide the selection markers (uncheck View|Extras) and apply USM. <p>The red channel is almost white on skin tones (for caucasian) so it selects the skin tone and ignore the hair and eyes. We want the opposite (sharpen hair & eyes and ignore the skin tone) so it's essential to inverse the selection.<br> Hiding the selection is just a convenience so you better see the sharpening as it is being applied. <p>In USM I select the appropriate amount and radius for the image and, most importantly, I always set the threshold to zero. You want to (and can) set the threshold to zero because the mask protects the skin tones. <p>Of course you can make an action to automate the steps... The red channel is great for portraiture, you may need to use another channel for other photos. <p>--ben<br><a href="http://www.marchal.com">marchal.com</a> Link to comment Share on other sites More sharing options...
andrew_rodney1 Posted April 19, 2004 Share Posted April 19, 2004 There's a tutorial at digitaldog.net on sharpening through a mask built upon the image. Also read http://www.pixelgenius.com/sharpener/why.html Link to comment Share on other sites More sharing options...
rhaytana__tim_adams_ Posted April 20, 2004 Share Posted April 20, 2004 This might be of interest, too: Sharpening 101, from Thom Hogan's site: http://www.bythom.com/sharpening.htm Link to comment Share on other sites More sharing options...
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