waldemar Posted March 16, 2001 Share Posted March 16, 2001 I just bought a not-so-cheap used Plaubel Proshift Superwide and will try to use it in the next few weeks (waiting for good weather). A shiftable 47 mm lens certanly sounded good to me and i prefer the 6x9 format for architectural & landscape photography to 6x7, which i used so far (Mamiya 7 with 43 mm). Does anybody own this rather rare camera and can share his or her experiences - handling, pic quality etc? Link to comment Share on other sites More sharing options...
barry schmetter Posted March 16, 2001 Share Posted March 16, 2001 No, but please post your own experiences (and some images). The camera sounds intriguing. Does it shift in both the horizontal and vertical axis? I'm happy with my GSW690, so don't make it sound too good :-). Link to comment Share on other sites More sharing options...
simon_gammelin Posted March 16, 2001 Share Posted March 16, 2001 Barry, there's a bit more on the Plaubel here: http://www.mediakyoto.com/camerashopper/cla_came_e/plaubel69w_proshift_e/index_e.html Link to comment Share on other sites More sharing options...
simon_gammelin Posted March 16, 2001 Share Posted March 16, 2001 Or if that URL doesn't work pick the Plaubel from this page of Classic medium-format cameras: http://www.mediakyoto.com/camerashopper/cla_came_e/mid_e.html . Link to comment Share on other sites More sharing options...
paul_chan Posted March 16, 2001 Share Posted March 16, 2001 This is a very capable camera with adequate albeit limited movement. I bought mine used from Adorama several years ago. The optical viewfinder tilts to compensate for the rise (which can be used for the opposite effect when the camera is mounted upside down) and gives a fairly accurate composition. Rise and lateral shift movement cannot be operated simultaneously unlike the traditional view cameras but the relative compact size of the Plaubel makes up for this deficiency. Film loading is plain and simple just like any other roll film camera. The 47mm Super Angulon is tack sharp and gives adequate coverage for most architectural application equivalent to the 20mm in the 35mm format but the limited no-swing feature does give some very unflattering perspectives on the final print which takes some getting used to! There is some evident light fall-off at the edges but the big negatives affords you the luxury of cropping if you do not shoot transparencies. The zone focussing and non-metering features make the Plaubel a plain-Jane camera and the 6x9 can be an ideal compromising format between the otherwise smaller 6x6 and the 6x12 panorama. It is available in used mint condition for the $2000+ range and I remembered having seen one being available on ebay recently at a $2700 reserve. You would find the 20"x30" or even bigger enlargements from your lab justify this capital outlay with your 1st roll without any regret. Welcome to the club. Link to comment Share on other sites More sharing options...
barry schmetter Posted March 16, 2001 Share Posted March 16, 2001 Thanks for the great link, Simon. It looks like a lovely camera. If anyone has any images posted, I'd love to see them. Link to comment Share on other sites More sharing options...
waldemar Posted March 16, 2001 Author Share Posted March 16, 2001 I bought mine on German ebay (www.ebay.de) for the equivalent of $1750. It was delivered two days ago (clouds in Cologne...). A Schneider-Kreuznach center-filter came with it, so i´m not too worried about vignetting. Basically i was thrilled by the possibility of shifting a super-wide lens, since medium-format shift lenses usually have about a rather weak 35 mm (in 35 mm-terms, i.e. 55 mm for a 4.5x6). Paul, what is this limited no swing feature that gives you a strange perpective? I don´t understand a word, admittedly (could be my somewhat limited English). I´d like to add, that i generally scan the developed slide film with the Agfa Duoscan T2500 and use a 1290 Epson Photo printer (1280 in the US) for the output. I´m using MF mostly, because i cannot get decent scans from 35 mm on a regular basis. Some scans from 35 mm are pretty good, when i used Velvia, a Zeiss single focal and a tripod, but i rather shoot, say, 4.5x6 with Provia 400F, no tripod. Results are still better or at least on par with 35mm. Link to comment Share on other sites More sharing options...
steve_cullender Posted May 6, 2003 Share Posted May 6, 2003 I have a Plaubel 6X9 Proshift to sell if anyones interested? I don't have the center filter for it but use Panotools to correct light fall off at small apertures after scanning. My experience has been remarkable with this camera and the comments I read regarding perpective distortion are unfounded as long as you use the spirit level built into the camera to keep the film plane vertical. I want to upgrade my Bronica GS1 and need to sell the Plaubel to do so. - Steve Cullender fieldtrak@global.co.za Link to comment Share on other sites More sharing options...
julian_svedosh Posted May 21, 2003 Share Posted May 21, 2003 Too bad i didn't see Steve's offer a few weeks ago. I just picked up a Proshift that i bought on ebay in Germany, and I am absolutely delighted. Other postings have mentioned limited movements, but I find them quite adequate, and as good as many field cameras. The actual image size is 56 x 83mm; the available shift is 13mm (horizontal) and 15mm rise (vertical). That's equivalent to about 27mm rise over a 4" vertical in a technical field camera. The whole camera weighs only slightly more than my Rollei 40mm Distagon, and has a wider image. The whole camera slips easily into a waist pack and even comes with its own fanny pack and neck strap. I had worried about the limitations of the zone focus system, but my concerns were unfounded. The focus range is from 0.5M to infinity. There is no visual confirmation of the focus accuracy, but a hyperfocal distance scale is very convenient. If you are shooting architecture (or landscape), you probably want lots depth of field. There are positive stops at 2 meters and 5 meters. At the 2M stop the hyperfocal range at f22 is from 1 meter to infinity. Or, if you want maximal sharpness and don't need that much depth of field, at the 5M stop at f8 gives a hyperfocal range of about 9' to infinity. I have used the schneider sa 47 with an arca swiss system and 6x7 backs, and fall-off was minimal. I avoided vignetting with a step-up filter ring, and used 67mm filters. The combo is quite effective, although I haven't tested it yet with the wider 69 format. The viewfinder is excellent. The optical viewfinder is a good size, with a bright frame line and parralax correction marks. There is also a clever sports finder, and if you put your eye right up against the center circle, the outer frame gives you the same corners as the optical finder. There is also a parralax correction adjustment which works on both viewfinders. Both methods are also ingeniously coupled to rise and shift. Composition is as easy as with most rangefinders. The camera also has outstanding ergonomics, with curves at both ends of the chassis which provide convenient hand grips for either hand. A plunger attached to cable release provides a "normal" right hand index finger release. Of course if you are on a tripod, you can use a traditional cable release with less vibration. The film counter is switchable between 120 and 220. Bubble levels on the top and the side are a great aid for architectural work, and make up for the absence of a gridded ground glass. Film loading is straightforward and direct, film advance is by a single-movement lever. The camera is expensive and hard to find, but if you need an architectural camera and want something that can be slipped into a waist pack, i don't know of any alternatives. Maybe someone will even start making them again, and they might even become more affordable. Link to comment Share on other sites More sharing options...
bashir_lunat Posted July 28, 2003 Share Posted July 28, 2003 Yes , I have this camera for sometimes and find it veri nice compared to my Hasselbld SWC/M with 38mm Biogon.The real advantage with Palubel is its ability to shift and that makes a lot of difference when shooting architecture.Then again I also like SWC/M because its a very "copact" to carry and shooting fast.The lens quality is superb on both cameras having almost no distortion. Recently I tried to sell one of those (whichever) but didnt sell so not many people are looking for them! Always use tripod when taking building shots and make sure everything technically is faultless and you will like the results.A good lite alternative to a 5x4. A new Alpa is also on the market with all the fecilities this Plaubel offers but at a whopping price. Link to comment Share on other sites More sharing options...
steve_cullender Posted February 24, 2004 Share Posted February 24, 2004 In a previous comment I suggested that I had a Plaubel 6X9 Proshift SW for sale. It has been sold (a sale I regret). Am now using a Toyo Field 4X5 camera with a 6X12 back and while the results are spectacular the sheer bulk compared to the Plaubel plus using a view back result in fewer pictures being taken. Steve Cullender - fieldtrak@global.co.za Link to comment Share on other sites More sharing options...
mark_eban Posted February 24, 2004 Share Posted February 24, 2004 It is almost impossible to overpraise this camera. It has a fantastic lens, it is quick and easy to use, you see what you get through the viewfinder and 20x24 prints combine sharpness (lets not forget film plane flatness etc) and tonality. It falls into that small group of cameras that one should never sell. Link to comment Share on other sites More sharing options...
marcos_matsunaga Posted August 12, 2004 Share Posted August 12, 2004 I am glad that I found one here in Brazil, I will get it tomorrow. After reading your comments I got anxious to buy one. I was dreaming of an ALPA 12 SWA but was not prepared to invest 10k. Alpa sells only the lenses for US$2,400.00. The good thing is that you can still get the center filter at B&H for US$240.00. Does any of you have pictures taken with it in the internet? Link to comment Share on other sites More sharing options...
bert_mcclure Posted December 11, 2004 Share Posted December 11, 2004 My photo career has taken me through the 21mm biogon for Contarex then Contax then adapted for Leica M6 (!); 12, 15 and 21mm Voigtlanders on Minolta CL; several Brooks Veriwide 100s and XLs; and a Furbringer 45mm apo-grandagon on a Brooks back openedup to a double-square 56mm x 112mm neg. with lens and back shift. (I am an architect-journalist, obviously) I also have a PROSHIFT 6x9 with SA 5,6/47mm SN 13884 297 with signs of use but the only non-cosmetic items to note are a small hairline crack on the top plate near the bubble-level and the tripod mount (2 total) and a small ding next to the exposure counter. The camera has been checked and photographic integrity is intact - photos are outstanding. I have used the camera for the last five years without problem but find myself using the 6x12 45mm Grandagon camera almost exclusively - so, if anyone is interested in purchasing the Pro-Shift let me know at bmcc@libertysurf.fr (the camera and I live in France). Camera comes with original finder, red trip-cable and a male-male column allowing camera to be mounted on a tripod for horizontal up- and down-shift. (tripod is only way to get really satisfactory results if you are using 120 and going to the trouble to shift, IMHO). We'll find a fair price for someone who will use it. Bert McCLURE Link to comment Share on other sites More sharing options...
randy_bince Posted January 26, 2005 Share Posted January 26, 2005 I have one on ebay right now. >>>Item number 3869790584<<< put that in the search bar. Mine is in mint condition and flawless. I also have more pictures on my site if your not interested in ebay auctions. http://binrray.3h.com/photo2.html Link to comment Share on other sites More sharing options...
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