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Has anyone done sexy large format portraits?


don_harris1

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I am a collector of Charles Wesley Gilhousen. His main body of work

was done from 1912-1919. He used an 8x10 camera and from what I can

gather, did contact prints of very tasteful but sexy portraits of

women. They are stunningly beautiful. I am a professional

photographer (www.dchphoto.com) yet am new to 8x10; but wondered if

anyone else does this type of portraiture with a viewcamera? I am

interested in using the old lenses as well. Most of my research leads

me to photographers who take mainly landscape, fine art, or "head

shot" type photography. I have not seen really anyone who does

beautiful and artistic nudes or semi nudes with large format- the way

they did 100 years ago. Is anyone doing this? If so, what lenses are

being used? What film? Any help would be greatly appreciated.<div>007KnN-16558384.jpg.8f4ec31452151369f73839704f2a4490.jpg</div>

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Don, do you mean only the sort of faux romantic painterly look?

 

Otherwise, I'd second Mapplethorpe, among others. There are actually lots and lots of folk shooting nude "very tasteful but sexy portraits of women" out there in at leats 4x5 and some in 8x10. The main problem is, most aren't really done that well that anything draws you to a particular image, and rather like a lot of landscape photogorpahy, much is merely copies of (insert... Weston, Cunnigham or whoever) rather than inspired by and building on the work of....

 

That is, there is lots of "classic" nudes still being photographed, but little of it does it any better then the best that's already been done.

 

btw - this is one of my all time favourites<div>007Kp7-16558984.jpg.1b219c2d4ea263c20278c153989ee970.jpg</div>

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I've looked at the Mapplethorpe photographs. I'm not really looking for in your face nudes, glamour, contorted positions, fashion, or body parts. Perhaps it is a fine line. The two photos I posted capture it. I suppose the images I enjoy are of "real moments" however posed they are. An old master background with sometype of "Scene" is nice. I do this type of photography myself but I have not tried it with large format.
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Hi Don,

 

I've done several nudes in 4x5. None yet in 8x10. ISO400 (EI

200) for natural light, ISO400 (EI400) for flash. I've used 135mm

and 250mm lenses. The lens you need will be relative to what

you want to shoot, and your practical limitations (for example,

close-up details? full body shots? How much space will you

have?, etc.)

 

The "stunning beauty" you refer to probably has to do with the

smooth, sensual visual quality of the model's skin. This is

obviously due to the large contact-printed neg, but also comes,

in large part, from negative retouching. In my opinion, digital

retouching doesn't quite look the same.... it's more "blobbish".

Therefore, better start digging up information on this quickly

disappearing art (negative retouching) as well!

 

 

A few words about posing the model, composition and camera

placement: it ain't so easy. It helps to use a window card to find

your angle and to put a robe on your model while you move

things around. A warmed room and a little music help keep the

atmosphere relaxed.

 

 

Lastly, it's wise to COMPLETELY explain to your model the whole

sequence of taking a large format photograph, so they'll

understand why things are taking so long, or why they shouldn't

move AT ALL from the time they pose to the time you trip the

shutter.

 

 

Have fun. Can't wait for you to stun us!

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. . . I'd be very interested in finding out which American Photo magazine

issue carried the article about Playboy's use of large format for portraiture. (I

remember a similar article published somewhere many years ago.. the

photographer had an Italian name, I think).

 

This delves into a subject which is a bit away from Don's question, but

nonetheless linked: in the continuous use of large

format for nude photography �from the early 20th century until now�

it's Playboy we have to thank for carrying the flag high for the last 50 or so

years! They also deserve credit for carrying true "Hollywood" glamour

photography directly from the 1950's to today (LF, spotlights,

retouching..all).

 

Don, I realize that you are mainly interested in early 20th century, but don't

discount Playboy's posing as mere "girley magazine" stuff, either. We all

can learn alot from them.

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Don,

 

I shoot 8x10 nudes in black & white. While I may not pursue the

pictorialist idealsof the work you have generously shown neither

do I favour the preternatural resolution of many other

contemporaries.

 

In fact, most of the studies I have done so far for an on-going

project are lit solely by candlelight - often with as many as 200

candles and with them in the shot.

 

I had my time of shooting for the Australian edition of Playboy

and loved the engagement of the necessary skills to shoot on

8x10 but gladly those days of commercial bimbodom are long

behind me (as is the Aussie edition of Playboy) and I have

returned to my role as a left-over hippie in quest of beauty and

connection in the organic, the natural.

 

You asked about kit. As I said, candles plus (on rare occasions)

a 650 watt focussing spot light (Lowel Fren-L). Depending on

whim I use either my Sinar F or Toyo 810M MkII and so far as

optics are concerned I have Nikkor-M 450mm and Apo-Symmar

300mm ever close by, but my favoured lens is a Kodak Portrait

lensin Ilex No.5 shutter dating from the 1940s. It's ideal aperture

is 6.3 so shutter speeds aren't too long on 400 ISO stock. I have

tried TMY which is not bad and FP-4 Plus which is a tad 'real' for

this stuff but my absolute dream film for nudes is HP5 Plus (in

fact for most things, really). I dev it in Rodinal 1+100 and

manage to retain detail from the shadowy abyss to the flame of

the candle itself with flowing even tones between. This gives me

enormous potential for printing however I think conveys my intent

best.

 

Like the others I would suggest that Jock Sturges is a fine

practitioner. So too is Sally Mann but one not to be overlooked is

Ruth Bernhardt. Absolutely exquisite work from the 1930s right

up to the 60s.

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I wouldn't use the word sexy to define my work, but since 2001 I have worked predominantly with 8x10 for my outdoor figure work, and much of my indoor work is done with 8x10 as well. Form 1991-2001 I used a 4x5 for much of my work, but in 2001 I stepped up to the larger format for multiple reasons.

<p>

You can view a sample of my work (not all 8x10) at www.evolvingbeauty.com

<p>

Eric Boutilier-Brown

Moncton, NB, Canada<div>007KvL-16560984.jpg.a993f7058132522a5628a58f31514e78.jpg</div>

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Lee Friedlander championed the work of an early New Orleans photographer who photographed the prostitutes of that city. They were all fairly tastefully done. For the life of me, I cannot remember that photographers name. I think it started with a B. I must be getting old! Well, it's actually past my bedtime and I can never remeber to much than anyway.

 

Do a google search on Lee and the info may pop up. Good luck.

 

gene

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Do a search for Robert Maxwell. I'm not sure of his exact format but I believe he is doing wet-plate collodian and albumen printing with large cameras. Patrick Alt also uses LF and does figure work in nature.

 

I'm on the same page and will soon be doing ULF (11x14 and 8x20) nudes in the landscape as soon as Spring arrives in all its verdant splendor.

 

Joe

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Toyo 8x10, lots of polaroid for test, sometimes for final, else TMax100. Enlarge onto Berger 16x20, then contact onto Platinum.

 

I don't do my pics the way they did 100 years ago. For one, I have a sharper Schneider lens :-) I use Lowell lights, and a digital Pentax light meter. I do leave some color in my images, but this is by desaturating the color polaroid, not by colorizing a B&W the way they did 100 years ago. I like the pastoral and odalisque settings the best, which is definetly old fashioned. No industrial wastelands or punk babes for me :-)

 

What kind of information are you looking for? Nudes in 8x10 are no different than nudes in 35mm, as far as dealing with lighting, sets and proper care and feeding of the model. The _technique_ of 8x10 is different, but that has nothing to do with the subject.

 

Everyone that has ever seen my 8x10 loves getting their picture taken with it. I think it's the size and attention that it requires that makes them feel special. As far as physical beauty goes, my Toyo is quite plain and pratical. If it wasn't such a huge amount of effort, I might even use my 20x24, but the cost in negs would be prohibitive.

 

Evan :-)

 

http://www.PlatinumLegacy.com/Images/Shadows/ProfileShadows.JPG

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The New Orleans photographer of the early 20th century Storyville area was E.J.

Bellocq. He was included by name in the movie "Pretty Baby". The title of the book on

which the movie is based is "Storyville". I doubt much much of him was substantiated

in the movie. There are several books (may be out of print) of his work.

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RE: gene LaFord , feb 09, 2004; 09:59 p.m.

Lee Friedlander championed the work of an early New Orleans photographer who photographed the prostitutes of that city. They were all fairly tastefully done. For the life of me, I cannot remember that photographers name. I think it started with a B. I must be getting old!...

 

and

RE: Steven Muncy , feb 10, 2004; 02:14 a.m.

The New Orleans photographer of the early 20th century Storyville area was E.J. Bellocq....

 

Ernest J. Bellocq (1873-1949)

 

A remarkable collection of photographs by E.J. Bellocq depicting Storyville prostitutes was published in 1971 under the title Storyville Portraits There may still be copies available see: http://www.amazon.com/exec/obidos/ASIN/0870702521/103-5392218-2682220

 

You can see a long narrative bio and some of his work here:

http://www.corpse.org/issue_10/gallery/bellocq/index.htm

Issue 10 - Journal of Letters and Life

The Last Days of Ernest J. Bellocq

by Rex Rose

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The Jan/Feb issue of View Camera magazine features work by Luther Gerlach, who uses large format cameras, vintage lenses, wet plate process, and alternative printing processes. Some of his featured work is stylized nudes, like those you described. I haven't done that kind of photography (can't afford the models), but I too favor 1900 to 1930-era nudes. They should be relatively simple since they are primarily posed, and should allow for the longer exposures needed for 8x10. Some of the vintage portrait lenses might give a soft glow to the prints, but I think older non-coated lenses might serve as well.
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