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Most useful M lenses?


david_craig1

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Two of the Noctilux 1.0 or Tri-Elmar or whatever's the most expensive,

please. I'd sell them both and use at least two thirds of the proceeds for

vacations and the rest for, hmm, two lenses that were much lighter,

smaller, and cheaper. I think the third of these requirements rather rules

out

Leitz/Leica, but then of course I'm just an idiot.

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50 2.0 - No need to clutter my view with other lenses. 50 1.0 maybe.

 

With my SLR I did the mistake of buying too much. I have a lens for any occation, but I am sure my pictures would be better if I simplified things....so I bought an RF with one lens, and use the MF and the 35mm SLR only in studio and other controlled environments. The worst thing - as things get simpler, it gets more fun too.

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For street work, the 50 2/cron is by far my lens of choice (take a look at my P.N folder--"Street shots--black and white". Ninety percent were shot with the 50, a few with the 35). On assignment work, I need more flexibility and the 35 2/cron and 28 2.8 Emarit come into play. In other words, it all depends, but the 50 does seem to be my preferred framework.
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My vote goes for the 28mm and the 50mm.

 

Reason: This combination works nice for someone who like architecture and city life.

 

Another vote: 35mm and 75mm

Reason landscape and portraits.

 

I'm not in favor if the longer focal on a range finder.

 

One VC and One Leica would be the combination that saves money for holidays....

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The Tri-Elmar (28,35, and 50) and either a 21 or 90 depending on what you need, obviously in dim light you would be forced to use high speed film. The other option is a 35F1.4 and either a summicron 50 or a skinny 90F2.8 for low light work, the 50mm F1.0 is just way to big for my liking not to mention it seriously dents the wallet.

 

Gerry

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I dont know if my opinion counts , since I pretty much asked the sam e question, and I've have some sarcastic remarks come my way.

BUT, I'd say you need to have a 50mm, or a 35, because ,one of these can serve as a prime Lens, and afterward you can conclude what else you might need. most phogoraphers in the rangerfinder crowd,shoot

usually wide focal lenth, but these two lense's offer normal perspective, so its a good place to start.

I khow your question was a hypethetical(?) one.

But looking at famous -M- photographers- they either preferred very

wide or normal to wide. I think thats why they use rangfinders.

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Two lenses which are both complimentary and versatile in their

own right are the 28 and the 50.

 

When I'm working in a crush of people, responding to both the

larger dynamic and individual expressions/ close juxtapositions,

the combination of two M bodies with 28 and 50 is certainly hard

to beat.

 

One might argue that I could do all of this with a single M and a

35, which I actually did for awhile but rather quickly found limiting.

On the other hand, if I only had one M-body in this situation, then

I'd use the 35.

 

When things are a bit more casual and I've got time to think a bit

and change lenses, then one body with the 28 and 50 is fine.

I'm leary of the Tri-Elmar, because I do a lot of work at wide

apertures, and find the 28 inch minimum focussing distance

absolutely crucial. And believe me, there is a BIG difference

between 28 inches and 39 inches minimum focus, especially

when working in close with people.

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<<If you could only have 2 lenses for your Leica M (0.72 viewfinder) - which would you choose - and why?>>

 

The same answer I give for the continually-asked "If you could only have one lens" troll: I'd just sell the Leicas. I carry 4-6 lenses when I travel with the Leica, would not go without any of them.

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