stephen_persky Posted March 10, 2004 Share Posted March 10, 2004 Hello, I have been reading about setting your own custom exposure index for "your equipment" and "film". I was wondering if anyone has figured out and exposure index for contrasting daylight shooting with Tri-x film through a Leica M7. thanks Link to comment Share on other sites More sharing options...
working camera Posted March 10, 2004 Share Posted March 10, 2004 Stephen The EI for any film is very much dependant on how it is developed. The juice used, dilution, time, temperature and agitation all must be standardised. Probably the best source for the procedures is Ansel Adams �The Negative�. Assuming all are calibrated correctly, which camera or light meter used is not an important factor. Having access to a transmission densitometer is also essential for correctly setting your own EI. This said, a lot of people standardise their Tri-X on an EI on ISO 360. Craig Link to comment Share on other sites More sharing options...
gil garcia Posted March 10, 2004 Share Posted March 10, 2004 Try Tmax at 320 and ilford xp2 super at 250. gg Link to comment Share on other sites More sharing options...
mikey_campbell Posted March 10, 2004 Share Posted March 10, 2004 Stephen, I have found that the exposure index can be different for every camera, whether it is between a Nikon and a Canon, or two same-model Leicas. A simple test as to what your specific camera can be conducted, that is if you are in control of all aspects of exposure, including development. I agree that developing is a very imporant aspect of exposure, and as such should be considered as well as printing. To me, development is one of the most important things to concentrate on during post-exposure processing. After you find out your exposure and calibrate accordingly, make sure you are consistent with your processing procedure. Of course black and white offers a bit more latitude in the way of processing when compared to color, but still, you should be careful. If you want to, I can help you out with the testing process and calibration. Just drop me an e-mail. Good Luck. Link to comment Share on other sites More sharing options...
skeeter Posted March 10, 2004 Share Posted March 10, 2004 assuming you are going to let your m7 read your tri-x at asa 400, you would want to set the exposure compensation dial in the plus range. ansel adams says in his book he generally liked to overexpose by 1/3 stop more than what the light meters he used suggested was the correct exposure. this can be accomplished by setting your index to + 1/3 stop. i personally think this is easier than setting the film speed to 360. this also gives you the latitude to vary the ev compensation depending on the subject you are shooting. i agree with others that uniform processing is crucial for the above adjustments to make a reliably significant difference. i actually think 1/3 stop is rather puny, and would suggest more. another way to boost contrast (if i am reading your goal correctly) is to use a filter. Link to comment Share on other sites More sharing options...
i._g. Posted March 11, 2004 Share Posted March 11, 2004 I think if you want to increase contrast, you'll have to use an EI HIGHER than 400 and develop more than what you would develop for EI 400. That's not my favorite way of using this film, but if higher contrast is what you're looking for... (I use EI 200 and develop for 9 minutes in D76 1+1 at 20 deg centigrade) Link to comment Share on other sites More sharing options...
octavio bustard Posted March 11, 2004 Share Posted March 11, 2004 I never really understood the advantage of changing the ISO from its rated speed. I shot my TX at 400 and develop for 400. What differences do you see when exposed and developed at 320 or lower? Link to comment Share on other sites More sharing options...
i._g. Posted March 11, 2004 Share Posted March 11, 2004 I find I've got more information recorded on the film, like detail in shadows and detail in highlights. I guess you can expose at 400 and get beautiful results, but if you make a mistake and underexpose, you lose shadows (if you overexpose it's not that bad). By exposing at lower EI, I leave myself some room for error on both directions... Link to comment Share on other sites More sharing options...
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