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Quality of reversal films


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I'm new to reversal films. I just developed a few rolls of reversal

films as a try. And the result is unexpectedly good.

 

In comparing them to the negatives taken on the same day, the colors

of those reversal films are much more saturated. (I haven't

outputted into photos, but rather scanned with a film scanner and

compared on screen.)

 

My questions are:

 

1. Is there really a big difference between negatives and reversal

films, or we could narrow the gap during the printout/scanning of

negatives?

 

2. Any recommended reversal films: for portrait and for scene?

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I like using Provia 100 for portraits, although I feel that without a

warming filter, the color can be a little cool sometimes.

 

For scenery, I love Kodak Ektachrome Infrared EIR. It's one of my

favorite films. Exposed through a yellow filter, it produces

beautifully saturated false color images.

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<p>The filter that you should you is really dependent on how

warm you like your pictures to turn out. If you're shooting portraits

outdoors, you should also consider what season it is and the

altitude of the location you're shooting at. I use an 81C in

summer.</p>

 

<p>I presume you meant to ask if Ekatachrome Infrared is

ordinary film. It's ordinary in a sense that you load it in your

camera and shoot it like you would other types of film; no

expensively sophisticated camera needed. The color rendition is

however, far from ordinary. <a href="http://www.photo.net/shared/

community-member?user_id=535725">Click here</a> or on my

name and you should see a couple of photos that I took with this

film. Like all film, you can also control and tune the rendering of

colors with various filters. Jute note that should you want to try

using this film, there are specific storage and handling

instructions to follow, and you'll need a #12 filter, but other than

that, it's pretty normal. Oh yes, almost forgot, beware of cameras

that have infrared film advance.

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The infrared is a specialty film, so that doesn't really answer the question as to the comparison with standard negative films. Fuji Velvia is generally considered one of the most saturated, and in addition has fine grain and velvety blacks. However, you will have to be careful in situations where there is a lot of light contrast as it can't handle it, so you may get some disappointments until you get used to its limitations. Also, it is a slow, 50 ISO, film so you'll usually need a tripod. There is a 100 ISO version coming out soon that should be worth trying. My favourite all-round is Provia 400 ISO. It is still fairly fine grain, I can hand-hold it in most situations, it can handle a slightly wider contrast range compared to Velvia (but none can equal the negative films in this), and the colours are very pleasing for most situations, though can be slightly on the cool side in shadow (an inconvenience easily dealt with by colour balancing in Photoshop). There is no doubt that you can play around with saturation in Photoshop and produce some very saturated results with negative film. One, Agfa Ultra, is designed specially for its high saturation/high contrast look, though I don't think it will give you the grain-free, highly detailed result of Velvia or Provia.

 

My advice as a relative beginner, who has been getting used to colour reversal film for the past six months, is to choose one film and get used to its qualities and limitations for a while, rather than switching around. Fuji Provia is, I think, the best choice for experimentation as it will handle a wider range of situations compared to Velvia. Have a look at the following for examples of Velvia colour --

 

http://www.photo.net/photodb/photo?

topic_id=1481&msg_id=005GjR&photo_id=1546542&photo_sel_index=0

 

http://www.photo.net/photodb/photo?topic_id=1481&msg_id=004w1D&photo_id=1430600&photo_sel_index=0

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