hugh_sakols Posted May 21, 2003 Share Posted May 21, 2003 Again I am trying to convince myself to replace my epson 1280 with an epson 2200. Will I see any improved quality using the 2200 with Archival Matt Paper and Black Matt ink? Or is my decision between a print life of 20 years vs 80 years????? I may at some point experiment with Epson Velvet Paper Link to comment Share on other sites More sharing options...
arniemilowsky Posted May 21, 2003 Share Posted May 21, 2003 Hugh, be done with it, buy the 2200 and don't look back. Its an awesome printer. I like to shoot shallow depth of field pictures, and the difference in the out of focus highlights is dramatic. I have sold portraits printed on Epson premium quality semigloss and Epson velvet paper. Prints on the velvet paper are outstanding; if you do get the 2200, you really need to try the velvet paper. Link to comment Share on other sites More sharing options...
david_littleboy__tokyo__ja Posted May 21, 2003 Share Posted May 21, 2003 Arnie, which inks do you use with the semigloss and velvet papers? Photo Black + Gray, or Matt Black??? Link to comment Share on other sites More sharing options...
fotografpeterlundberg.se Posted May 22, 2003 Share Posted May 22, 2003 Arnie! I have some trouble to getting hold of the Velvet paper in Sweden. Could you please provide me with its article number so I can try to have Epson Sweden to find it? Regards Peter Lundberg Link to comment Share on other sites More sharing options...
scott aitken Posted May 22, 2003 Share Posted May 22, 2003 I agree with Arnie. Get the 2200. You'll be glad you did. I replaced my 1280 with the 2200. You won't notice all that much difference in color prints, but black & white or duotoned prints are dramatically better with the 2200--on any kind of paper. I used to love the color prints from my 1280, but was never satisfied with the b&w. The two shades of black on the 2200 make a world of difference. I, too, have sold b&w prints from the 2200, and won an award at a recent gallery showing. They never would have even accepted a b&w print off the 1280, much less given an award. Link to comment Share on other sites More sharing options...
arniemilowsky Posted May 22, 2003 Share Posted May 22, 2003 For semigloss paper, I use the photo black ink, and for velvet, I use matte black. I can get the velvet paper either from B&H photo in 8 1/2 x 11 size (Mfr# S041636 � B&H# EPVFAL20) or from Epson USA site:<p>http://www.epson.com/cgi-bin/Store/ProductMediaSpec.jsp?BV_UseBVCookie=yes&infoType=Overview&oid=-9824&category=Paper+%26+Media <p> in either 8 1/2 x 11 (Mfr# S041636) or 13 x 19 size (Mfgr # S041637) Link to comment Share on other sites More sharing options...
hugh_sakols Posted May 22, 2003 Author Share Posted May 22, 2003 Thanks for all of your responses. I've been wanting to start shooting black and white again. Link to comment Share on other sites More sharing options...
db1 Posted May 22, 2003 Share Posted May 22, 2003 For those of you who don't know, check out the prices at www.atlex.com ...david Link to comment Share on other sites More sharing options...
dan_sweet Posted May 23, 2003 Share Posted May 23, 2003 I think the above poster saying "no gallery would accept a 1280 B/W print" is quite mistaken--he's prob just never seen a good one! After a good 6 month leanring process involving photoshop 6, 7 an 870(great till it died) a 2000P(which was terrible) and a 1280. I can tell you i get amazing results off of the 1280. I've had magazine editors ask who did my printing! I tell then i did it myself on and Epson and they always pull it out of the sleeve to look at it closer and feel it--no one believes me at first. Spend the $300 on film or ink and paper--or promo cards or putting together a new book or somehting--i'd guess that will help you more. You need to learn how to use the tools properly anyways. Link to comment Share on other sites More sharing options...
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