Jump to content

Handheld Exposure Meter


danac

Recommended Posts

I hope to have an RB67 Pro S in the near future. The plan is to use it almost exclusively for black and white landscapes. Never having used one, I am completely ignorant of which meter to get. I'd like a new or nearly new one. Any suggestions would be helpful. I'm really looking forward to the fun factor of this endeavor.
A book's a great place to hide out in - Trevanian
Link to comment
Share on other sites

Personally whatever meter you select, I'd make sure it could meter in the incident metering mode as well as reflective metering mode. If you're unfamiliar with these concepts, before you buy, I'd do some reading up on the benefits and drawbacks of each. Personally after over 60 years of photography, I prefer incident metering for about 90% of my work.
  • Like 1
Link to comment
Share on other sites

I take into account three main characteristics:

1. Incident measurement

2. Reflected spot metering

3. Flash metering

Almost all incident meters read read reflected light. But just a very few ones read a spot.

And not all meters read flash light.

 

IMHO you don`t need a spot meter unless you were into a zone developing system. If you plan to work using e.g., Adams` Zone System, you need a spot meter.

And, if you plan to use flash or studio strobes, a flash-capable meter is a must.

So if you don't need spot or flash, any hand held meter will work (Gossen, Sekonic). Anyway, I'd personally get a flash capable one, just in case.

 

Good sized digital ones are my favorites. Traditional needle ones work just as well.

 

Small pocket units are right with small cameras. Given the size of a RB, a full sized one shouldn`t be a problem.

Link to comment
Share on other sites

And, if you plan to use flash or studio strobes, a flash-capable meter is a must..

Wrong. A digital camera works the very best to check exposure for studio work and instrumental in checking your lighting these days. Polaroid now obsolete and if you can get it FAR TOO EXPENSIVE Making a digital camera on a film shoot invaluable.

Link to comment
Share on other sites

To respond to some of the great advice: I enjoy doing my own processing... At my age with time running out, reasonable cost is not an object in order to get the most out of my experience.. . I understand the difference between incident and reflected light but have never considered the former having only ever used TTL SLRs... I've studied AAs Zone System and can see the particular advantage it has for those who use large format sheet film cameras. With roll film you can only develop the negatives with one process... There were times when i would have been well served with a spot meter. An example was an image I made of Vernal Falls in Yosemite. The rocks, cliffs and trees turned out great but the fall was a washed out zone IX. Since the camera will only be used for landscapes, a spot meter is not a really serious issue (I think)... In fifty some years of film camera use, I can just about count the times I needed a flash on two hands. Now I save the indoor images for my digital Canon T6i... If the meter had all of the above features, that would be okay too.
A book's a great place to hide out in - Trevanian
Link to comment
Share on other sites

Wrong. A digital camera works the very best to check exposure for studio work and instrumental in checking your lighting these days. Polaroid now obsolete and if you can get it FAR TOO EXPENSIVE Making a digital camera on a film shoot invaluable.

A good meter is all you need. Back then, before digital. And now.

 

You can do Zone System using roll film and a camera with interchangeable backs, danac. That's how Adams did it too. One back for what you expect to encounter. Another one for higher, or lower, contrast you might expect to need as well. And one for unexpected situations.

Edited by q.g._de_bakker
  • Like 1
Link to comment
Share on other sites

I just noticed the Sekonic L-208. It's seems to be all I would ever need and it's only $127. Any thoughts?

I have a L-208, amongst others. It is a nice pocket meter that I use with my Leicas. No flash capabilities. I like it for the size.

For everything else I prefer a bigger one, and now I'm used to digital screens (L-608). Seem faster to work. The L-308 is also very popular one, compact sized, I think there is a flash version.

I still keep a Gossen Luna Pro SBC just because I love it. The 9 volts battery could be of an an issue for some.

Link to comment
Share on other sites

I have a L-208, amongst others. It is a nice pocket meter that I use with my Leicas. No flash capabilities. I like it for the size.

For everything else I prefer a bigger one, and now I'm used to digital screens (L-608). Seem faster to work. The L-308 is also very popular one, compact sized, I think there is a flash version.

I still keep a Gossen Luna Pro SBC just because I love it. The 9 volts battery could be of an an issue for some.

Mines a L-308 S with flash capability takes a single AA battery very happy with it. Only MINOR gripe the flash trigger socket cover has no cord on it I added one

Edited by laurencecochrane
Link to comment
Share on other sites

For a currently available meter, ! prefer the Sekonic 308 series. But they are primarily incident meters, and a lot of landscape people like to have a reflection meter (specifically, a spot meter).

 

I primarily use an old L318, which I've had for decades. I've also used a Gossen Sixtomat digital and Digisix (if you are looking for something really small, the Digisix is very nice, does incident and reflected, but no spot, and still currently available new).

 

For spot metering, I have the spot meter attachment for an old Gossen LunaPro (converted from Mercury cells), and I have a Polysix elec. that has a built in 10 deg metering mode (not truly a spot, but good enough for most cases). I'd really like a Pentax Digital Spotmeter, but so would everyone else, and my current use would not merit the $.

 

The Sekonic L318 (and 308 series) is just very non-fiddly and quick to use, hence my everyday preference.

"Manfred, there is a design problem with that camera...every time you drop it that pin breaks"
Link to comment
Share on other sites

a lot of landscape people like to have a reflection meter (specifically, a spot meter).

I can't for the life of me understand why this would be so. Even Chris Johnson in his The Practical Zone System states: "if you are photographing distant mountains, a wide- angle meter can make getting an accurate reflected reading very difficult, if not impossible." I have used wide-angle TTL in-camera meters exclusively for over fifty years and taken many more landscapes than all else. My Photo.net portfolio will attest to this and some of those images aren't half bad. What am I missing here?

A book's a great place to hide out in - Trevanian
Link to comment
Share on other sites

Oops I shouldn't have typed "wide-angle" I've got information overload lately. I just read that AA used a spot meter during his last twenty some years. More studying is in order but my ever so logical wife who is a better photographer says I should just keep it simple. And I say what fun is that?
A book's a great place to hide out in - Trevanian
Link to comment
Share on other sites

Oops I shouldn't have typed "wide-angle" I've got information overload lately. I just read that AA used a spot meter during his last twenty some years. More studying is in order but my ever so logical wife who is a better photographer says I should just keep it simple. And I say what fun is that?

I tend to agree with your wife - that's why I primarily use the L318, keeps it simple and efficient.

 

But if you want to do Zone metering, then it's hard to do without a spot meter, especially if things are more than a dozen ft away...

"Manfred, there is a design problem with that camera...every time you drop it that pin breaks"
Link to comment
Share on other sites

Back when I was a teenager I bought a Weston Ranger 9 and headed off to RIT to study photography. I loved that meter and its 18 degree field of view, but I spent the next couple years plagued by underexposed photos. Much later I investigated its calibration and linearity and found it underexposed as the light dimmed. Though it had the right mercury batteries, there was no way to adjust the thing to be correct over the entire range of both scales. RIT had strongly advised all photo students to buy a Gossen Luna-Pro. I shoulda listened! I still have the Ranger 9, manual and even the incident diffuser. Too pretty and too many memories to sell. Further OT, I had an art teacher there in 1973 or 74 who told us not to get too hung up on film, as in the future we might not even be using it. We laughed and looked at her like she was from Venus.
  • Like 1
Link to comment
Share on other sites

Get the newest you can afford. Avoid holy relics that require battery hacks and/or suffer from age-related inaccuracy. Keep in mind that a working meter isn't always an accurate meter. I like the Sekonic 308--strong seller, lots used, AA-powered, deadly accurate.
  • Like 1
Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...