yong_shin1 Posted August 26, 2002 Share Posted August 26, 2002 This is my second post on same topic. The first, it appears, got lost in maze. So here we go again. Does anyone know exact process used for putting vulcanite coat during pre-M6 era by Leica? Why isn't anyone providing re-coat service other than by non-original way? Is it becase such process is too difficult or way to expensive to implement, or material no longer available, or because Leica is keeping it a secret? Can someone provide me with a blue print of the process? Best regards, Yong C. Shin Link to comment Share on other sites More sharing options...
msitaraman Posted August 26, 2002 Share Posted August 26, 2002 The vulcanite is a rubber compound. Fitting the covering involved a pressure and heat molding process. AFAIK, neither the compound nor the molding ovens are available any longer. Link to comment Share on other sites More sharing options...
msitaraman Posted August 26, 2002 Share Posted August 26, 2002 I had forgotten where I had read this, but have realized that the information is from the ever useful <a href=http://www.nemeng.com/leica/032b.shtml>Leica FAQ</a> site written by Andrew Nemeth.<br><p> http://www.nemeng.com/leica/032b.shtml Link to comment Share on other sites More sharing options...
john_collier2 Posted August 26, 2002 Share Posted August 26, 2002 Your lucky day but do not tell anyone else! Posted to the Leica-Users one day: You see, the vulcanite of the earlier, LTM cameras, was actually furnished from the inner layer of the bark of a rare tree that grows in the German Black Forest. It would be collected by young virgins, selected for their delicate fingers and only harvested between 4:30 and 5:15 AM, when the dew ensured that the humidity was such that the material wouldn't be harmed. Then followed an arduous process of curing the material, followed by imprinting of the characteristic vulcanite pattern, which is actually achieved through meticulous hammering with small, ivory hammers by elderly, experienced craftsmen, selected for their delicate white hair. If you look carefully, you'll notice that the pattern of each camera is different, because each craftsmen had to spend their apprenticeship manufacturing their own hammer -- a process that reliable sources (which I'm unfortunately unable to name) tell me took no less than 12 years for the person of average dexterity. Of course, now-a-days, the whole process is ISO 9001 and Y2K certified and the vulcanite is actually an artificially produced material. The old stuff needed some attention, and Leica shops around the world would ensure that there would be a qualified white-haired gentlemen with a small vial of mountain dew on hand, to coat the vulcanite when the camera was handed in for service. But then the depletion of the ozone layer and increased labour costs meant that collecting the mountain dew became too expensive, and the modern stuff just needs to be wiped clean with a pair of Ted's drawers if exposed to sea water, but otherwise is fine. Yep. They don't build 'em like they used to... Martin Howard "Very funny Scotty. Now beam down my clothes." Link to comment Share on other sites More sharing options...
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