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Anyone liking grain / scratches / dust?


kenny_c

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<p>Anyone feeling like leaving grain / dust / scratches in their neg scans these days? <br /><br />Lately I've been leaning towards having that film look... much like the traditional darkroom printers who printed full frame to prove the cropping...<br /> Just a thought.<br /><br /><a href="http://kennethchou.ca/index.php?/series/lg-toronto-fashion-week/">http://kennethchou.ca/index.php?/series/lg-toronto-fashion-week/</a></p>

<p>cheers</p>

<p>k</p>

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<p>Quality printers always removed dust and scratches by hand. If you aren't doing this on your film scans, you're taking the lazy way out. Dust/lint/scratches look terrible on any presentation, and are not part of the picture. Film grain, however, is just a part of the film and should be left alone.</p>
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<p>Lazy? Maybe... maybe part of it is differentiating images from digital, I am not really sure.<br /><br />I do agree grain is as much of the film as noise on digital... which are factors of equipment / media. <br /><br />I do agree dust and scratches on prints are a no no, but as a web image... I am kind of striking out against all the new clean cut images out there... <br>

Not that these are all valid points for myself, but I do like where this conversation is going.<br>

k </p>

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It can work on occasion depending on treatment and context. BTW, your photo looks underexposed or the print needs to accept the exposure it has, at least in a conventional sense. Looks like you tried to lighten it past the exposure's capacity, and what you end up with that way is actually no true blacks. I suppose it's all subjective though, you're certainly free to do what you like.

 

... OK, looked at your other photos and they're not bad. Not sure the small amount of dust looks like it has an intention. Most people will probably not notice them or wonder why you didn't clean them up.

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<p>I really wonder whether this issue is quite as cut and dried as some suggest.<br /> <br /> Here is a review of the recent Francis Bacon exhibit at the Met. The review, like the exhibit, included this heavily damaged portrait, by John Deakin, of George Dyer: http://www.askyfilledwithshootingstars.com/wordpress/?p=971<br /> <br /> Here are Peter Hay Halpert's comments on Deakin, together with one of Deakin's photographs of Oliver Bernard, also damaged (moreso than is evident on Halpert's web site): http://peterhayhalpert.blogspot.com/2009/06/john-deakin.html . This piece, updated somewhat for the Bacon exhibit, apparently originally appeared in Aperture.<br /> <br /> Also, a brief review from The New Yorker on the book John Deakin: Photographs: http://www.newyorker.com/archive/1997/07/14/1997_07_14_068_TNY_CARDS_000378477</p>

<p> </p>

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<p>Maybe some big ass scratches and giant threads - I could see the appeal of that in some circumstances, the distressed film look. But dust on negs for me usually means 1-4 white dots, which are easy to fix, yet really distracting in the image. One little piece of lint doesn't give me the impression of distressed film. </p>
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