joe_sacamano Posted July 2, 2002 Share Posted July 2, 2002 Faced with a large collection of color 35mm slides from travel, I recently experimented with creating a B&W negative by projecting the color image onto a 4X5 flim holder (FP4) with my Zone VI variable contrast enlarger. The print made with the negative produced was disapointingly soft. Any ideas??? Link to comment Share on other sites More sharing options...
pat_krentz Posted July 3, 2002 Share Posted July 3, 2002 It could be that you were not focused correctly, you need to place a piece of white paper in your film holder and then place the film holder into a corner of your easel, then focus your slide onto that paper, turn off the lights and insert film or place another film holder in place on the easel so that it won't slide and then expose your slide in 1/2 to 1 second strips, develope and pick the one with the best contrast. Pat Link to comment Share on other sites More sharing options...
art_haykin Posted July 3, 2002 Share Posted July 3, 2002 I've made projected B&W internegs from 35mm color slies on cut film up to 11x14 that were sharp as a tack. I did it exactly as you would make a print. Focus first on a piece of white 4x5 paper, and use your white light on the enlarger. There should be no problems with sharpness if the slides are sharp. If you want to save money, shoot the slides 1:1 on 35mm stock, it's done all the time. Link to comment Share on other sites More sharing options...
pete_andrews Posted July 3, 2002 Share Posted July 3, 2002 Develop the film for a bit longer. Link to comment Share on other sites More sharing options...
david l. Posted July 3, 2002 Share Posted July 3, 2002 Did you expose the emulsion side of the film? Link to comment Share on other sites More sharing options...
scott_jones2 Posted July 3, 2002 Share Posted July 3, 2002 Hi Joe, I told you these guys would know how to help. The more I think of it, I like Art's suggestion. Just dispense with the film holder all together and enlarge onto film just like you were doing a print, but of course in the dark. Tell me how it goes! Scooter Link to comment Share on other sites More sharing options...
rob_pietri5 Posted July 5, 2002 Share Posted July 5, 2002 There is nothing wrong with using a film holder to coordinate the position of the sheet and projected image. Make sure the emulsion side is up, meaning the grooves are on the upper right when loading the sheet into the film holder. You should also make four exposures and bracket them. Then give normal plus 2 development to all the sheets to increase the contrast. Do a contact sheet of the four sheets for minimum exposure for maximum black on the borders. The sheet that looks the best is the one to print. Then, take careful notes of your proceedure; enlarger height, lens aperature, focus, exposure, film, development and time, etc. That way you can repeat the proceedure for all you slides. Hope this helps. Link to comment Share on other sites More sharing options...
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