josh_a2 Posted February 25, 2009 Share Posted February 25, 2009 <p>How many people here shoot with Auto White Balance?<br> I feel like every picture I take with it is orange and hotter than hades.<br> Granted, I'm shooting under warm lights alot of the time, but it still always comes out very, very orange.<br> What do you do?</p> Link to comment Share on other sites More sharing options...
sarah_fox Posted February 25, 2009 Share Posted February 25, 2009 <p>Never AWB! I usually select a pre-set WB, such as daylight or tungsten. I'm not compulsive enough about WB to use the custom WB any more than occasionally. However, most of what I photograph is oudoors in the daylight WB zone anyway.</p> Link to comment Share on other sites More sharing options...
joshroot Posted February 25, 2009 Share Posted February 25, 2009 <p>None of the Canon DSLR's I've had (and I'm up to I think 5-6 now) have been very good at AWB under tungston light sources. To be fair, it's a tough thing for many digital cameras to do. But the canon's really seem to have a problem with it.</p> <p>Other than that, I have no issues with AWB and use it fairly often in average situations.</p> Link to comment Share on other sites More sharing options...
sattler123 Posted February 25, 2009 Share Posted February 25, 2009 <p>I shoot RAW only and don't worry about WB until I process the RAW file.</p> Link to comment Share on other sites More sharing options...
josh_a2 Posted February 25, 2009 Author Share Posted February 25, 2009 <p>Would tungsten be a good, all around setting to leave set all the time?<br /> It seems like this camera shoots really, really hot.<br> Also, tungsten always seems to give the best color representation. I took two pictures, one under warm incandescent lightbulb and one under fluorescent lighting... in both instances on AWB... go into Shop and switch to tungsten and it instantly looked like real life.</p> Link to comment Share on other sites More sharing options...
a._j._jacobs Posted February 25, 2009 Share Posted February 25, 2009 <p>I use the XSI, I never shoot AWB, you can see the difference when it's AWB and you choose the WB that fits what lighting you are shooting in... :)</p> Link to comment Share on other sites More sharing options...
tdigi Posted February 25, 2009 Share Posted February 25, 2009 <p>I agree its best to shoot raw and not worry about the WB. </p> Link to comment Share on other sites More sharing options...
joshroot Posted February 25, 2009 Share Posted February 25, 2009 <blockquote> <p>Would tungsten be a good, all around setting to leave set all the time?</p> </blockquote> <p>Only if you like things really <strong>really</strong> blue tinted when you are anywhere but artificial light sources.</p> Link to comment Share on other sites More sharing options...
josh_a2 Posted February 25, 2009 Author Share Posted February 25, 2009 <p>Josh, thanks for the reply.</p> <p>So, is a good rule of thumb, perhaps, tungsten with artificial light sources and daylight outside? (Of course, adjusting when necessary but, rule of thumb)</p> Link to comment Share on other sites More sharing options...
josh_a2 Posted February 25, 2009 Author Share Posted February 25, 2009 <p>Also, why would tungsten make things blue only when there aren't artificial light sources but regular when there are? (Sorry, I'm fresh meat.. go easy ;) )</p> Link to comment Share on other sites More sharing options...
danield Posted February 25, 2009 Share Posted February 25, 2009 <p>White balance is one of the major reasons I shoot RAW. I just can't be bothered to fiddle with the white balance all the time - I leave the camera on RAW and then choose a white balance later when I am in a controlled environment (i.e. at the PC screen) and I can actually see what the picture looks like.</p> Link to comment Share on other sites More sharing options...
gorasinski Posted February 25, 2009 Share Posted February 25, 2009 <p>Always AWB, but I shoot RAW, so no need to worry here.</p> Link to comment Share on other sites More sharing options...
starvy Posted February 25, 2009 Share Posted February 25, 2009 <p>tungsten is difficult for all the makes in awb mode. my only experiences have been with canon, olympus and sony. the only way to avoid this would be to shoot raw.</p> Link to comment Share on other sites More sharing options...
philip_wilson Posted February 25, 2009 Share Posted February 25, 2009 <p>I shoot the 5DII (not the XTI) but found the AWB to be rather poor. I often shoot skiing or ice hockey. I bought an Expodisk and this solved my problems (although I sometimes have to change lens as the disk is 77mm and the 16-35 f2.8 is 82mm and the 300 f2.8 is very large)</p> <p> </p> Link to comment Share on other sites More sharing options...
tony_davis6 Posted February 25, 2009 Share Posted February 25, 2009 <p>Like Lukask and Juergen I 98% of the time shoot RAW and not worry about it, really. Although I have made a DIY 'EXPODisk' where I do tend to use Custom WB when possible - helps in the end as it can get tweaky at times trying to make the photos look right. I have gotten into a table setup with a couple of 500W Tungsten/Halogen lights to light macro/still life work and just compensate with RAW even with the setting on TWB.</p> <p>The only time I haven't shot RAW is for some Soccer League photos I have been taking for a friend as he coaches the team and the kids and parents love it, but Tungsten hasn't come into that so it does rather well on AWB.</p> Link to comment Share on other sites More sharing options...
ed_v. Posted February 25, 2009 Share Posted February 25, 2009 I'm always shooting RAW/AWB and fiddling with the color casts in DPP either by adjusting the color temp or clicking the "tune" button. In my experieces AWB has done the best job with the often strange lighting in high school gyms, where there could be multiple types of bulbs (tungsten, fluorescent, vapor) hanging from the same ceiling. Link to comment Share on other sites More sharing options...
lorne_hampel1 Posted February 25, 2009 Share Posted February 25, 2009 <p>I shoot RAW with either AWB or custom. For my Real Estate Photoshoots I find custom shortens my workflow. ZAs I understand it, AWB is very poor for EOS in incandescent lighting.</p> Link to comment Share on other sites More sharing options...
nhut-nguyen Posted February 25, 2009 Share Posted February 25, 2009 <p>When I'm under tungsten lighting, I choose the Tungsten preset WB in the camera, I found it to be a lot closer than AWB. I use AWB a lot for everything else.</p> Link to comment Share on other sites More sharing options...
photos of hans koot Posted February 25, 2009 Share Posted February 25, 2009 <p>mostly, exept in artificial light. I always shoot in raw, and take care later most of the times.</p> Link to comment Share on other sites More sharing options...
stsva Posted February 25, 2009 Share Posted February 25, 2009 <p>Also, why would tungsten make things blue only when there aren't artificial light sources but regular when there are? (Sorry, I'm fresh meat.. go easy ;) )</p> <p>Josh-<br> The other Josh meant that the tungsten WB setting basically adds a lot of blue to the color balance in the image, so that if the light you're photographing isn't the equivalent of incandescent (tungsten) lighting, which has a strong yellow/red bias, you'll often end up with a rather bluish result. For example, the light outside on a cloudy day or in a shadowed area is already rather blue, so using the tungsten WB will make it really blue. Even bright sunlight is more "blue" than an incandescent light, so you still get more of a blue effect using the tungsten WB with sunlight than if you use the sunlight WB setting. Incidentally, you can reverse this effect to get a nice "warm" color tone by using the cloud or shade WB setting to add more of a yellow/red bias to a normally-lighted outdoor shot, simulating to some extent the golden light at sunset.</p> Link to comment Share on other sites More sharing options...
matthijs Posted February 25, 2009 Share Posted February 25, 2009 <p>I do. But I shoot JPG and RAW. When I don't like the result I choose a preset (like "Cloudy") or I use click-white balance until I like the result.</p> Link to comment Share on other sites More sharing options...
photo_dark Posted February 25, 2009 Share Posted February 25, 2009 <p>I find things only get fun when there's a mix of flourecent and tungsten. Everyone has these high efficiency bulbs now, which are just small flourecents.... nightmare for white balance.... even when I try to set a custom WB.</p> <p>I shoot raw, however my best results are when I can nail down perfect WB on location using expodisc or just a pure white sheet of paper :)</p> Link to comment Share on other sites More sharing options...
dogbert Posted February 25, 2009 Share Posted February 25, 2009 <p>You can adjust the WB so it shoots a bit cooler all the time even in AWB mode.</p> Link to comment Share on other sites More sharing options...
mphoto gallery Posted February 25, 2009 Share Posted February 25, 2009 <p>AWB 90%. I shoot RAW. If I am in a gym or a room with mixed lights and I will be there a while, I will set up a custom white balance in my 40D.</p> Link to comment Share on other sites More sharing options...
rdavila Posted February 26, 2009 Share Posted February 26, 2009 <p>I do too. I agree the results are rather yelowish, however by shooting raw, do not care too much about it, correction is easy in ACR.</p> Link to comment Share on other sites More sharing options...
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