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Scoping Out 70-200 VR with 18-200 VR


will_shepherdson1

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<p>Hi! First time poster here! I'm an amateur photographer and next week I'm going to be shooting a event in a theater with available light. For this event, I'm going to be renting a Nikon 70-200 VR for use with my D80. I've been trying to scope out when to sit (the first row? the orchestra pit? elsewhere?) with my D80 and 18-200 lens. However, I'm not entirely sure how the focal length translates between the two lenses since the 18-200 is a DX and the 70-200 VR is an FX. I've read that the 70-200 on a DX is equivalent to a 105~300mm on a FX camera. Which brings me to my question: which focal length should I use on the 18-200 to scope out the venue? (70? 105? something else?) Thanks for any help you can provide!</p>
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<p>Yes...</p>

<p>but...</p>

<p>Zoom lenses tend to "cheat" their focal lengths. In other words. The 18-200 at 200mm is only 200mm at infinity focus, and the focal length shrinks quite a bit as you focus closer, more than other lense, it seems.</p>

<p>So... at 200mm, it seems the 18-200 might be a bit wider than the 70-200. How much? I don't know. But it might not matter at all in your application. Also, the 18-200 focuses much closer than the 70-200, too.</p>

<p>In any case, you will probably LOVE that 70-200 and want to buy one.</p>

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<p>When a lens designed for an FX camera sized sensor is used on a camera with a DX sized sensor, its apparent focal length is increased by a multiplier equal to the crop factor. This just means that the lens angle of view will be narrower. 200mm x 1.5 crop factor gives the angle of view of a 300mm lens. This happens because the image projected from the FX lens is cropped. The image projection is larger than the DX sensor. This happens to be a good thing with the 70-200mm as far as sweet spot. You will get a better quality image from the 70-200mm lens by only using the un-cropped portion from the sweet spot of the lens. The outer (cropped portion) of the image is not quite as sharp. I am also a amateur photographer, so I am not talking form experience. But, you may want to rent a D700 along with 70-200mm lens to use the high ISO in the available light in your theater shoot. I own both a D80 and D700 and IMO the D80 won’t work anywhere as good in low light.</p>
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<p>Ditto on the suggestion of a D700, or at least a D300...... or at least a good tripod. Remember that hand holding a 70-200, which you'll presumably use mostly on the loner end, will be quite tricky in low light.</p>
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