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The "look" one gets from a very old uncoated lens


golden

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<p>I was out shooting with my 5x7 yesturday and came aross a very old log cabin, decided to use a lens a friend of mine gave me a couple of years ago, it is a very old wollensak convertable, uncoated of course, shutter doesnt work except on the T setting which is fine with me. anyway, i took the shot, went to the darkroom and processed the neg, it was overexposed somewhat but not too bad, i decided to make a contact print, the look of the print so fit the scene, low contrast, some lens flare, looked like an image that was taken back in the late 1800's, a look that no way one of my newer fujinon lenses could have duplicated. does anyone else like this "look", i guess it works on certain subject matter better than others. </p>
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<p> Ansel Adams goes into this a bit in one of his books (The Lens, probably). Basically, the flare acts like a pre-flash, falsely elevating shadow values. There's a little of this effect between single-coated and multiple-coated lenses. Remember Weston photographed the entire oeuvre he is famous for with one lens that he bought at a Mexican flea market (it used to make A.A. cringe so bad that he offered E.W. any of his own lenses, and Weston declined.<br>

Add a film without a halation layer, and one re-enters bygone times technically, and looks-wise.</p>

<p> </p>

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