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jim_a

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<p>

BACK in the 1970s, a gutsy blonde named Jill Freedman armed with a battered

Leica M4 and an eye for the offbeat trained her lens on the spirited characters

and gritty sidewalks of a now-extinct city.

</p>

 

<p>

Influenced by the Modernist documentarian Andr頋ert鳺, with references to the

hard-edged, black-and-white works of Weegee and Diane Arbus, this self-taught

photographer captured raw and intimate images, and transformed urban scenes into

theatrical dramas.

</p>

 

<p>Full article:

<a

href="http://www.nytimes.com/2008/04/27/nyregion/thecity/27jill.html">http://www.nytimes.com/2008/04/27/nyregion/thecity/27jill.html</a>

</p>

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"BACK in the 1970s, a gutsy blonde named Jill Freedman armed with a battered Leica M4 and an eye for the offbeat trained her lens on the spirited characters and gritty sidewalks of a now-extinct city.

 

Influenced by the Modernist documentarian Andr?ert?, with references to the hard-edged, black-and-white works of Weegee and Diane Arbus, this self-taught photographer captured raw and intimate images, and transformed urban scenes into theatrical dramas.

"

 

Careful --- that's a direct quote from the NY Times article; it's good to mark it as such.

 

(And the link is already over on the News forum.)

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