Jump to content

Asking to see any Wedding shots with D300


jim_orr

Recommended Posts

I second shot with a friend so I played around with the D300 and D200 in JPEG and switching WB (I usually shoot with a 5D and a 1D3).

 

<br><br>

BTW, I wanted to see if I could should an outdoor wedding with the D300 and the 18-200 alone.

<br>

<br>

 

 

<img src="http://nomadphotography.com.au/Poub/1.jpg">

<br>

 

<img src="http://nomadphotography.com.au/Poub/2.jpg">

<br>

<img src="http://nomadphotography.com.au/Poub/3.jpg">

<br>

<img src="http://nomadphotography.com.au/Poub/4.jpg">

<br>

<img src="http://nomadphotography.com.au/Poub/5.jpg">

<br>

<img src="http://nomadphotography.com.au/Poub/6.jpg">

<br>

<img src="http://nomadphotography.com.au/Poub/7.jpg">

<br>

<img src="http://nomadphotography.com.au/Poub/8.jpg">

<br>

Link to comment
Share on other sites

"Thanks, just looking to see how it may handle the white dress and black suit as well as how it may handle highlights outside such as the dress."

 

Good idea to ask for sample shots. These prove nicely that the photographer is the major factor :-P This is especially true for keeping highlight detail. Nothing beats exact exposure and experience :-P

Link to comment
Share on other sites

<i>Nothing beats exact exposure and experience</i>

<p>

Often there <i>is</i> no correct exposure or white balance since light falling on different people in a wide angle shot (imagine: ceremony in a dark church lit by beams of sunlight, candle light, and colored reflections) can vary by many stops and hundreds of mired. This can be an interesting post-processing challenge. At higher ISO settings the dynamic range (and tolerance for error and post-processing adjustment) is reduced. Outdoor work is in this sense easier, even though there can be direct sunlight, the ISO can be lower, leading to lower noise in the shadows brought up in post-processing.

<p>

I usually increase the contrast so that I get truly black black suits, but I do try at all costs to maintain detail and some tonal variation in the bride's dress. Usually the face and the bride's dress need separate adjustments to look their best. All too often fill-flash is used on the faces but the dress is allowed to blow out. O-oh.

<p>

It would be nice to see a Fuji full-frame sensor in the near future. I would also like a DSLR which is able to take a sequence of bracketed exposures at high speed (e.g. 2-3 exposures within 1/100s), without the mirror coming down in between.

Link to comment
Share on other sites

<i><b>Richard SELBY</b> "Omega, How did you get the red dresses and the red Mustang to "pop" like that? Were you using the D300 or D200 with 18-200mm? Love the colors!!!"</i>

 

<br><br>

Richard. Here is the full Exif of that shot in JPEG.<br><br>

<A HREF="http://nomadphotography.com.au/Poub/exif.jpg">

nomadphotography.com.au/Poub/exif.jpg</A>

<!--center>

<img src="http://nomadphotography.com.au/Poub/exif.jpg">

</center-->

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...