rocky_aaron Posted December 22, 2000 Share Posted December 22, 2000 http://www.geocities.com/h_xd/html/strawberry.html<br><br>Nikon 210mm EL mounted on Calumet 45NX, stop down to f45, Tmax 100 developed in D76(1+1), scan from neg with a Epson 636, no cropping. Link to comment Share on other sites More sharing options...
andres_suurkuusk Posted December 22, 2000 Share Posted December 22, 2000 Well, <a href="http://www.hot.ee/andress/24.htm">here</a> is Rodenstock Apo-Rodagon N 80/2.8@f22 on Sinar F2, Velvia, drum scan. Link to comment Share on other sites More sharing options...
andres_suurkuusk Posted December 22, 2000 Share Posted December 22, 2000 Sorry for misprint, it should be 80/4@f22 ;) Link to comment Share on other sites More sharing options...
michael_briggs2 Posted December 22, 2000 Share Posted December 22, 2000 I recently did an almost X7 times enlargement onto 4x5 film using a reverse-mounted 63 mm f2.8 El-Nikkor, using taking apertures of f8 and f11. I was able to use such large apertures because the subject was flat. The bellows extension of 500 mm required an exposure compensation of 6 stops! In this arrangement the reverse-mounted 63 mm lens covered 4x5 and delivered excellent resolution; non-reverse-mounted, the resolution was poor. Link to comment Share on other sites More sharing options...
jason_j. Posted December 26, 2000 Share Posted December 26, 2000 I would like to know from others how the bellows extension was? Was it far or just like normal lenses? I really liked the leaf shot. Link to comment Share on other sites More sharing options...
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