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8x10 LF Questions


ron_whitaker

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I am considering purchasing a large format 8x10

monorail camera. I have a couple of questions.

 

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1. Does any fellow large format photographer know

of any good dealers (mail order) where I can

get good prices on 8x10 film, particularly

Kodak TMX 400?

 

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2. I realize that on an 8x10, most do not come

with revolving backs. Is the only way to

change from vertical to horizontal format

going to be to rotate the entire camera

on the tripod head?

 

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3. Which brings me to my last question, what is

a good geared tripod head that someone could

recommend? Is a geared head a good way to go,

or are there other tripod heads that you

might recommend? Concerning tripods, what

is a good tripod? I'm only familiar with

Bogen because that's what I currently have.

But I would like to get another tripod with

a geared rise. Should I stick with Bogen or

should I get a Gitzo or Ries?

 

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Thanks for your help and suggestions!

 

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Ron

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1. to get cheaper prices than B&H you will probably

have to buy expired film. Two sources i have used

are Midwest photo exchange and Freestyle.

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2. most do have reversible backs (ie a back with

a V and a H position where you remove it and

replace it). the only cameras which are horizontal

only that i know are the philips, and you would have

to rotate them.

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Re your question on tripods, I would just mention that,

when I used a Gitzo, I had all sorts of trouble with the

leg locks. The rotating collars often locked up, and I

wound up with blisters on my hands from trying to loosen

and tighten them. During one workshop in the Utah desert,

I would up buying a pair of bicycle gloves in desperation,

just so I could get a grip on the collars without

destroying my hands. This was an old Gitzo--I heard that

they've since started using a different material for the

internal bushings, and the new ones may be better in this

regard. However, I've been a lot happier since I

switched to a Bogen (Manfrotto) with lever-style locks.

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  • 9 months later...

I concur with all of the above but would like to add assorted IMHO's. Freestyle sells Arista 8X10 film in 100 & 400 asa for $36.00/25 sheet box - a good bit cheaper than TMAX.

 

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Which I guess brings me to one of my favorite topics, DOING THINGS INEXPENSIVELY. Why a monorail? There are many studios doing top notch work in 8X10 with flatbeds - even Dickie Avedon uses (or used until recently) a Deardorff (albeit on location). Flatbeds are often less expensive and often have adequate movements for most applications.

 

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This sort of ties into your tripod question which leads to a bigger question - what kind of work do you intend to do and how much do you want to spend? Do you want a Mercedes Sedan or a Ford F-150? Majestic geared heads and tripods with geared columns are quite nice and as they've been around awhile are often inexpensive - BUT HEAVY! The grey heads may require modifications to work on more recent tripods and the company does not stock parts for their older grey models. Bogen has a geared head but it's kinda pricey. Bromwell has several wooden tripods with a geared column and a ball and socket joint that might eliminate the need for a head completly, depending on what kind of work you want to do. Brett, Cole and of course Edward Weston got along fine with the earlier Ries sticks. I kinda like the idea of mounting a Ries single tilt head on a 100 or 75 mm ball head film/video tripod like the older O'Connors or Millers or maybe a newer Bogen 3190 or 3191. That way the camera is still quite close to the junction of the legs and can be leveled horizontally quite easily. I haven't tried it yet as finances haven't allowed. Some may balk at the idea of putting a traditional "wooden" head on modern aluminum sticks.

 

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But all of this is subjective and really dependent on your needs - what you're gonna shoot and where you're gonna shoot it and how you're gonna get your gear there.

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  • 4 months later...

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