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black or silver M


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As I've said many times before on this Forum, black is THE

professional standard--all other finishes on cameras are merely

pretenders. Photographs:Pictures::Black cameras:Non-black

cameras. It's that simple. Sure, a titanium finish may not show any

wear for a thousand years, but who wants that? And silver [chrome]?

Buy a Schwinn, a Hyundai, a Tamron lens while you�re at

it. Black cameras make photographs, people don�t.

 

<p>

 

When the Contax T3 first came out, I decided to hold out for the

black version which Kyocera later announced would soon be available

with black accessories. As soon as it came out, I plopped down $750

without batting an eye. The only cameras-of-another-color I have are a

Nikon F and a Hasselblad 500 CM. I only use the F for copy work, so

there's not too much likelihood that someone would actually see me

using it. I've never had any trouble with the Hasselblad, but then

traditionally the chrome Hasselblad has been the more prevalent

version.

 

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If you have no pride in your professionalism, then go for the common

chrome and titanium finishes and watch as your subjects get up and

leave when they see you pointing it at them. Be ready to blend in

with the "point-'n-shoot" crowd with their other chrome and ersatz

titanium-finish, 18-250mm-zoom-equipped, polycarbonate toys. Real men

wear black and that means their accessories, too. This shouldn't even

be a decision, it should have been inculcated as a reflex,

genetically hardwired into every real, professional photographer.

Pass it on, Man. The reason they don�t make a black version (yet) is

because they�re waiting for all the (gotta-have-the-latest-thing)

amateurs to pay for the paint by buying the chrome version

immediately. A professional bides his time and, like a Buddha at the

threshold to Nirvana, lets the less enlightened enter first with a

polite �After you.�

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<I>Black absorbs more heat from the sun than the chromes (if you ever

shoot in hot countries)! </I><P>

 

Ah yes, but it also re-radiates said heat more efficiently. Why do you

think the titanium skinned SR-71 "Blackbird" spy-planes were painted

black?<P>

 

(Sorry, totally OT I know but the Industrial Chemist in me couldn't

resist!)

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Cosmo gets it all wrong!!

 

<p>

 

Chromes can be exposed properly only in a chrome camera, and black

and white film in a black camera, preferably an LHSA model, which is

in fact black and white itself ;-)

 

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Me? I have both. As has been said before, black lenses look fine on a

chrome body, chrome lenses look wierd on a black body. The modern M6

chrome finish seems rock hard. My camera has taken quite a few

knocks. Compared to my 70s era cameras, the finish is not easily

marred.

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I have two M6s, one in chrome and the other black. Normally I carry

both. My lenses are all black.

 

<p>

 

It seems that black body attracts lesser attention in public...

especially with the 35mm ASPH summicron. That's why when I required

only one body, I picked the black.

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The silver M-6 is a much smarter looking camera than the black

anodized job; the silver chrome is probably more durable in terms of

retaining it's new appearance with time and use.

Lenses: Take the silver every time! Brass is the material to be used

for high quality lenses unles costs do not matter and then use 18-8

SS. The aluminum is cheaper and, true, lighter, but for depandable

quality over the years, take the silver chrome plating over real-

honest-to-goodness-brass!

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  • 7 months later...

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