jonathan_renouf2 Posted February 18, 2007 Share Posted February 18, 2007 Hi there, I had a go this morning doing some 30 second exposures at 400ASA outside at dawn, seascapes, shot RAW. The result? Huge amounts of noise, loads of purple speckling in the dark parts of the exposure. I'm obviously committing a beginner's error here, so can someone tell me the correct technique for avoiding noise and purple pixels when doing long exposures? Thanks J Link to comment Share on other sites More sharing options...
mendel_leisk Posted February 18, 2007 Share Posted February 18, 2007 Enable Custom Function: "Long Exposure Noise Reduction", likely CF02. When processing the raw, try disabling Auto Exposure if using Adobe Camera Raw, if you're using that combo. Link to comment Share on other sites More sharing options...
brian_coy Posted February 18, 2007 Share Posted February 18, 2007 I'm not sure which camera you are using, but the 20D has a noise reduction setting for long exposures. It is found in the custom settings menu. If you are using another camera, check the manual for a similar setting. If you are using that long of an exposure, you might as well drop your ISO to 100 if possible, this should reduce noise, even on long exposures. Link to comment Share on other sites More sharing options...
doug_landrum Posted February 18, 2007 Share Posted February 18, 2007 Assuming that you have the full Photoshop, convert the profile to LAB color. Go to the a channel and reduce noise with a Dust and Scratches filter. For a full 20D shot, use a radius of 7 pixels and a threshold of zero. Do the same in the b channel. Go to the L channel and sharpen. Convert back to RGB. Your noise should be significantly reduced. Link to comment Share on other sites More sharing options...
jonathan_renouf2 Posted February 19, 2007 Author Share Posted February 19, 2007 Hi there, Thanks for suggestions. However, I had long exposure noise reduction on (on my 5D) and still at 30 seconds the results were awful. I'll knock down to 100ASA next time and see if that works, but I find it puzzling how much noise and purple spotting there was even on 30 seconds. Lord knows what it would be like at 5 mins. J Link to comment Share on other sites More sharing options...
arash khoshghadam Posted February 19, 2007 Share Posted February 19, 2007 Hi Jonathan I am not sure I have exactly figured out what your problem is. Are you wondering why it happens or are you trying to seek a way to get rid of the problem post-process? Noise in long exposure is an inherent problem in image sensor literature. They get warm, the electrons overflow into adjacent photosites and the trouble begins. variation in electron level causes the green and purple spots. You can get rid of noise not in the camera Raw software or even ACR in photoshop which I think is ill-equipped to offer a reasonable remedy. Noise Ninja software is a good remedy to consider post-process. You have to learn to live with this inherent technical short coming in the image sensor design till engineering science can find a radical solution in betterment of the image sensor design. Until then .... Link to comment Share on other sites More sharing options...
jonathan_renouf2 Posted February 20, 2007 Author Share Posted February 20, 2007 Hi, Having looked at the images in question again, I think a large part of the problem in this particular case was caused by considerable under exposure. When I tried to get some information out of the shadows, all that came up was noise. Next time I'll see what happens when I get the exposure right. But I'm interested to hear that some kind of noise in long exposures is something that digital sensors haven't yet fully solved. For some things, film is still better it seems. Thanks for your answers. J Link to comment Share on other sites More sharing options...
arash khoshghadam Posted May 20, 2007 Share Posted May 20, 2007 Dear Jonathan The fact is that high-sensitivity high-iso films have their own problems dealing with bigger Silver particles. They become noisy too, and to tell you the truth, I'd rather shoot digital to be able to cope with the noise by software than shooting film with little chemical-process option back there in the darkroom. Link to comment Share on other sites More sharing options...
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