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elmar v. summilux: another try


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although i can see the pictures on my computer, some people reported to me that they can't on theirs, so here is another try:

<p>leica m6ttl, tri-x @ 400iso in ilford ID11 1+1 for 11 minutes, both pictures taken at f=2.8 on a tripod at a distance of about 2m. i had to crop them a bit otherwise i would give it away, which lens is which. they were scannes with a nikon coolscan IV at full resolution, no photoshop adjustments except resizing were done<p>

<img src="http://www.photo.net/photodb/image-display?photo_id=729566&size=md"><p>

go here for a larger picture:<p>

http://www.photo.net/photodb/image-display?photo_id=729566&size=lg<p>

AND<p>

<img src="http://www.photo.net/photodb/image-display?photo_id=729569&size=md"><p>

go here for a larger picture:<p>

http://www.photo.net/photodb/image-display?photo_id=729569&size=lg<p>

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Stefan.

 

<p>

 

picture A: This photo doesn't exist or its owner has disabled

public viewing.

------------------------------------------------------------------------

picture B:This photo doesn't exist or its owner has disabled

public viewing.

------------------------------------------------------------------------

What are you doing, cos something's up?

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Both pictures come up for me.

 

<p>

 

To be honest both pictures look good and I do not understand what your

point is for the comparison. They are different lenses with different

fingerprints.

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THE SOLUTION: <p>

Picture A: summilux<p>

picture B: Elmar<p>

my conclusion: the elmar has more contrast at f2, looks a bit

sharper, but the summilux renders out of focus in a nicer way and

therefore it is easier with that lens to use selective focus. <p>

i am happy to own both of them and hope to never do such a dull thing

like comparing 'apples with oranges' again. as soon as you step them

down, the difference dissappears to my eyes.

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Hi stefan,

 

<p>

 

Can you tell me which version is the Elmar? I like mine Elmar ( alst

version) and like it even more after seeing this side by side

comparsion.

Thanks for such effort, I am doing about the same to my summilux ASPH

35 and 35'con alst version as well.

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the apple and orange thing is not true, in my case. when i look for a

new lens i compare all available in my wanted focal range, and

therefore they are very comparable. this was the second film i shot

with the elmar, which is by the way the latest version. i just have

it for a bit more than a week now. the lux is less than half a year

old. i really like 50mm as a focal length, but the lux is a bit on

the large and heavy side. i expected the lux blowing the elmar away,

especially wide open (okay, 2.8). i bought it as a portable

alternative on sunny days, where i cannot use a wide aperture anyway.

my test showed me that i gain some contrast with it. i will keep the

lux though, as 2.8 is often too slow.<p>

regarding flare, yesterday i went to the mayday demonstrations (see

my other posting), a bitght sunny day, and used my elmar extensively,

without the hood. i didn't have any problems with flare. might have

been lucky though

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one thing which i still don't understand is why the background of the

summilux picture looks more out of focus at the same aperture. in the

elmar shot you can make out details of the windowframes, which

disappear in the lux picture. can anyone explain? is it possible that

the 2.8 of the elmar is not a true 2.8, but rather a 3.0 or so? that

could also explain why the elmar shot looks slightly darker (or is it

just more contrasty?)

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dear ALL,

 

<p>

 

sorry to get in this late. Just to say that my guess was

 

<p>

 

a=Summilux and b=Elmar

 

<p>

 

my reason was because the OOF white and black lines, on the right of

the right-hand-most empty pot, are "fatter". The more obvious ones are

those just below the inserted blowups of both photos.

 

<p>

 

i did mentioned before about my posting on:

 

<p>

 

http://www.greenspun.com/bboard/q-and-a-fetch-msg.tcl?msg_id=007miX

 

<p>

 

To say in short, i felt that when shooting at the same aperture of

f2.8, the OOF portion of a photo taken by a 50/1.4 should be "softer"

than one taken by a 50/2.8 Look at the 3 blobs of white above the 2

plants. Just MHO.

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Stefan,

 

<p>

 

You wrote, "my conclusion: the elmar has more contrast at f2"

 

<p>

 

Did you mean at f/2.8? The Elmar doesn't open to f/2.

 

<p>

 

Thanks for the tests, Stefan. The Elmar held up pretty well, eh?

BTW, a Summicron would give the best of both worlds, IMHO.

 

<p>

 

Regards,

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