arnabdas Posted June 10, 2006 Share Posted June 10, 2006 at the sweetest spot, f8. BTW -- if focussed carefully, damsels seldom need apertures smaller than f8.<div></div> Link to comment Share on other sites More sharing options...
arnabdas Posted June 10, 2006 Author Share Posted June 10, 2006 ISO 100, raw sharpen medium.<div></div> Link to comment Share on other sites More sharing options...
arnabdas Posted June 10, 2006 Author Share Posted June 10, 2006 tail ...<div></div> Link to comment Share on other sites More sharing options...
jean melissa Posted June 10, 2006 Share Posted June 10, 2006 Beautiful! Did you use a tripod, or any other accessories for your camera (handheld light-meter, etc.), to take this photo? Link to comment Share on other sites More sharing options...
arnabdas Posted June 10, 2006 Author Share Posted June 10, 2006 I used a tripod, focusing rail, cable release and my standard lighting accessory -- a compact hand mirror from Macy's :) Link to comment Share on other sites More sharing options...
ky2 Posted June 10, 2006 Share Posted June 10, 2006 Remarkable, Arnab. How's the VR? ;) Link to comment Share on other sites More sharing options...
studor13 Posted June 11, 2006 Share Posted June 11, 2006 This damsel has me distressed. Well done on a fine job Arnab. Link to comment Share on other sites More sharing options...
aravind raman Posted June 11, 2006 Share Posted June 11, 2006 You really relish these unknown macro lenses. <p> Hearing "Dine" for the first time :) <p> Just curious, what are those below the tail of damsels? eggs!? <p>Thanks for sharing, <p> Aravind Link to comment Share on other sites More sharing options...
arnabdas Posted June 11, 2006 Author Share Posted June 11, 2006 <p>Thanks guys. Point of this thread was to demonstrate performance of this 6/6 1:1 jewel at 1:1 including corner sharpness.</p> <p>Aravind: I'm not sure I'd call it an "unknown" macro lens, it was well-known and extremely well-regarded in its time (that time ended about 20 years ago) - now reduced to cult classic status with the Vivitar/Tokina/Tamron 90s. Of course, this is not as well-known as the pedestrian OEM/3rd-party 100/105 AF macros of today that every macro enthusiast and his brother seem to own. As for Dine - some of these lenses were made for dental photography equipment retailer Lester A Dine, and labelled as such. I don't think those things on the tail are eggs.. damsels lay their eggs in water. I suspect those are some kind of parasites/ticks.</p> <p>Yaron -- <em>"How's the VR?"</em> You know how to get me started, don't you :) Actually, I'm really let down by the lack of VR in this lens, if it had VR it would make paralleling the sensor plane to subject plane soooo much easier when shooting handheld, I would not have to lug this tripod and focusing rail around. Also, I really hate the aperture ring on this one - I wish I could get it chipped and then I could superglue the ring at f32 and cover it with black adhesive tape to save myself from the embarrassment of others noticing I'm using a non-G lens. But you know, I'm sooo glad this moderately heavy lens does not come with a tripod collar. I still ordered a PN-11, not sure what I was thinking - this time it's not due to Guinness beer overdose. I'll probably never use it. No macro lens should have a tripod collar. One should never use a tripod collar if he really wants to unleash his compositional creativity, and seasoned closeup shooters just don't need that crap.</p> <p>See attached image, I was casually experimenting with environmental compositions and trying to close in for a hopper-on-leaf type of portrait. If I had a tripod collar, I could effortlessly include the tip of lower leaf in the scene, reduce distraction on top-right corner and provide more "hop-space" on top of the hopper -- addall done in just one slight 30 degree clock-wise twist of the lens. Then it's just a matter of closing in with focusing rail. How boring.</p> <p>Thankfully, the lack of tripod collar encouraged me to tilt the camera towards the right (effectively screwing up the composition) and then try to slide the tripod legs towards the left to bring things in order. with all this fumbling I managed to scare this poor creature who hopped out of the scene -- disappointed at my performance. Not having a tripod collar saved me from processing yet another NEF. </p><div></div> Link to comment Share on other sites More sharing options...
arnabdas Posted June 11, 2006 Author Share Posted June 11, 2006 Bonus tip for shooting grasshoppers - approach from top with lens slightly tilted downward instead of approaching directly from the side. This helps bring all the important parts (eyes, thighs, antennae, legs and lataral part of thorax/abdomen) to cut through a common plane of focus, letting you capture maximum detail. Depending on the size of the grasshopper you should now be well-covered without needing to use anything smaller than f11 (or f16 for real tiny ones). Link to comment Share on other sites More sharing options...
neil_parker Posted June 11, 2006 Share Posted June 11, 2006 Arnab, how do you use a cable release on a D200? Or did you use a wired remote? Link to comment Share on other sites More sharing options...
klix Posted June 11, 2006 Share Posted June 11, 2006 Just got my Kiron lens today (it's immaculate!) - can't wait to try it out. But first I have to get a hand mirror :-) Thanks for the tips Arnab. KL Link to comment Share on other sites More sharing options...
arnabdas Posted June 11, 2006 Author Share Posted June 11, 2006 Neil, you're right - when I said cable release I did mean a 10-pin electronic remote relese (a Chinese knockoff of MC-30). KL, congratulations! Exciting times ahead ... don't forget to post samples and your impression of the lens :) Link to comment Share on other sites More sharing options...
greg_barnett Posted June 11, 2006 Share Posted June 11, 2006 Arnab, you never cease to provide inspiration and motivation for my macro work. Thanks, awesome stuff as always. Greg. Link to comment Share on other sites More sharing options...
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