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Masao Yamamoto


zelig

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  • 4 weeks later...

hey, good to see that a forum like this could mention such a photographer... Re his

technique: if you put aside these photo books limiting you to formulas (the so called

GOOD photo), you could obtain pretty much any results when it comes to chemical

reactions on photo paper: time in revelator, fixator, toner... erasing the surface, leaving

the print under the sun if you want, softening it with water before cutting out the edge on

a table corner: the limit is your creativity. No need for filter. Japan has got this soft light so

contrast are limited. You underexpose as you wish, preferably under the enlarger, giving

you more freedom to go one way or an other. Dodging/burning details in some areas

during printing. The grain will depend of the film vs revelator vs paper (Kentemere as an

eg.) Basecally play, experiment, do what photographers rarely do:

consider the final support and presentation of your photographs as something as

important as the capture. visuals artists do it all the time...

Most interestingly about Masao Yamamoto is to appreciate the link with a japanese

aesthetic tradition, this "emptiness" he refers to with the Taoism culture, the precision vs

poetic of japanese craft. Powerfull work without any pretention telling us: "look, an

isolated moment you'll never have!" - no, just a moment. beautiful

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  • 8 months later...

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