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are you a wide or narrow photog?


travis1

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It'd be a 35 or a 50...maybe I'd learn to love a 90.

 

Looking at my own 21/24/20/25/28 etc, it tends to look the same, except when I used them for architectural purposes... the subject becomes distortion rather than image, as with examples on this thread.

 

That said, I've seen some great environmental portraits (by other people!) with 21 where the subject person was small in the larger image: the distortion wasn't noticed because of the importance of the person in the image.

 

When necessary I use an FDSSC 24/2.8 and a CV 25/4: wonderful lenses but they gather dust.

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