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Lansdowne Road


nesrani

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Rob:

 

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The photos are superb. Bombay has some of the meanest streets in the

world, and the area around the Taj, as you well know, is so thick

with beggars, pimps, and drug users that I�ve never been able to find

its saving graces. Patience and a sensitive eye are your hallmarks!

 

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My only, I hope helpful, bit of �criticism� is that I would like to

have seen a few more establishing shots to complement the close-ups.

When, as you say, an Indian village has been transplanted to the city

streets, it would be good see things from a few steps back. I would

like to see a little more of Lansdowne, of Bombay itself, to

appreciate the milieu in which these people live. But that�s an

editing issue.

 

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Anyway, great stuff. I hope people appreciate how truly difficult it

is to get shots like that in India and the sensitivity you have

brought to the subject (I get too impatient with the saffron yarn on

my wrist, the sugar nuggets, and the pleas to purchase �milk powder�!)

 

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Regards,

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Roberto, I think that's a problem with the monitor; stuff always

looks a bit stretched vertically because the pixels are not square. I

believe there are some high end screens with square pixels. I've

often considered resizing to compensate for this, but then I suspect

different monitors have different pixel aspect ratios, so I've never

bothered.

 

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They are 2x3 by pixel count, however.

 

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BTW - I think MEM's Falkland Road is her best work, and I called this

Lansdowne Road as a homage to her. Pity she went over to the more

sterile, clinical BW (IMO).

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I know what you mean rob, tell me, so I love freedom of sigth, it has

keept me comfortably into amateur photography, to ignore what you see

or force your eyes into something you don´t care, got to be bitter

than a drop of sweat into your eyes; although I don´t consider that

her best work.

 

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but pixels got to be square some day, what the hell!

 

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be proud of your work my friend!

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by the way, I see at least one long lens shot, probably a 90, what is

it?;

 

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another one, once I read you use Abrahamson´s RW on all your bodies,

how do you handle fast winding and same focus on secuence shots

without taking your focusing finger off the tab?, well sorry for

the "so specific question"? I just got mine and I´m figureing out how

to...

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Never mind all, I managed to get it open. Nice work Rob. Some of the

pictures are outstanding. If you don't mind my saying, I think some

of the photos are a bit repetitive. IMHO I would consider editing the

group a bit tighter. How long were you able to work on the project?

Are all the photos shot with Leica M. If so, do you have a lens

preference? I'm wondering what you think of Steve McCurry's work.

 

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Best Regards,

Tom

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Fantastic work Rob! Bravo, Bravo!!

 

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I like the cover shot, and especially the one of begging at the stop

light, with the young baby reaching out from inside the car. A very

fresh and nuanced take on something of a signature shot from Bombay.

 

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And many thanks for the free treat :-)

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roberto, this was all done with the R6, 24 35 and 50, but there's

only one 50 shot (the three boys headshot). After this I went over to

the M because the R6's kept on breaking. As for the rapidwinder,

you'll get used to it, as Frank Zappa used to say.

 

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Tom, I shot something like 150 rolls of film for this project over

about seven months, obviously not fulltime. As I said in the intro,

it was a personal obsession. I guess I could edit it even tighter,

but I'm fond of all these snaps (which I know isn't a good reason to

publish them, of course!).

 

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Mani, the shot of the boy begging at the stop lights is a funny one -

I actually climbed onto the car to take the picture, and when the

lights changed the family just waved at me and drove off. Only in

India!

 

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Thanks all for the reviews.

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