g_guhan_gunaratnam2 Posted December 28, 2005 Share Posted December 28, 2005 Hello all, I am making the dive into traditional studio lighting. I have questions still, but first let me write what I'm planning on getting: Profoto Acute2R 2400 w/ 2 heads Photoflex umbrella kit [2 48", 8' lightstands, case] 2 x-large Photoflex litedomes [54x72"] Manfrotto expan background kit I already have a few reflectors, a meter and it looks like I'll be getting a PW multimax. 1) My first question is about litestands. The Photoflex litedomes (which I chose primarily because of price and a general good tone to the postings on their products) need them, would the stands that come with the umbrellas be ok (the Acute system isn't going to be easy on my pocketbook and the last thing I want is a flimsy litestand and flash head falling to the ground). Are these photoflex litestands ok, or should I forget it and go for manfrottos instead? I want some that are well built, stable and preferably tall (10' would be nice) but also portable enough to take on location. 2) I'd like to get a boom as well...which should I look at (would like to stay under $400 for the entire boom setup - lower the better - unless I can't get a good boom for this price in which case I'd rather wait until I can afford a good boom). 3) What do people think about the Manfrotto expan background kit? It looks good from the literature, but in practice I don't know. 4) If I want to add a third head down the road...will the powerpack handle it ok? 5) What kinds of clamps should I be looking at? If I were going to use the umbrella with my portable flashes (when at a location), I'd go for a multiclamp...but apart from this, I don't know what kinds of clamps I might need. I also think that the 48" umbrellas will be too big anyways for my portable flashes (580ex, and 2x 420ex). I might cut the umbrellas out of the list, but they aren't expensive so I thought they'd be good to have. But right now, I'm thinking to just get the softboxes. Anyways, any thoughts are welcome. Thank you very much & Happy New Year. Link to comment Share on other sites More sharing options...
g_guhan_gunaratnam2 Posted December 29, 2005 Author Share Posted December 29, 2005 scratch number 4 Link to comment Share on other sites More sharing options...
brooks short Posted December 29, 2005 Share Posted December 29, 2005 You'll love the Profoto Lights and the Pocket wizards. I'l take a crack at answering your questions... 1. Get the Chimera softboxes instead of the PhotoFlexes and buy the Manfrotto light stands. 2. A good boom is essentiall for most studio work and a good thing to have even if you are only doing portraits. Being able to position a light overhead of the subject or camera, or just of-axis from the light stand is very useful. 3. A couple of light stands and a collapsible pole is all you need as a background stand on location. In the studio use pulleys on the ceiling, ropes and a pole for your background: no stands needed. 4. Yes but at less power per head. 5. Why do you feel that you need clamps as much as light stands, softboxes, etc? I use A-clamps from the hardware store to hold backgrounds, and a few articulated arms from bogen for reflectors but that's all. Clamps are cheap, buy them as you need them. Buy the softboxes before any umbrellas and buy a good brand such as Chimera. Link to comment Share on other sites More sharing options...
mydarkroom Posted December 29, 2005 Share Posted December 29, 2005 One question. Why go with profoto? Dont get me wrong there great I use them, but I just wanted to know why you were picking them. Link to comment Share on other sites More sharing options...
g_guhan_gunaratnam2 Posted December 30, 2005 Author Share Posted December 30, 2005 Hello, Thanks for the responses very helpful, and I wasn't sure which way I'd go with softboxes, but since posting this I have been swaying towards the Chimera's and skipping the umbrellas. As far as why I'm going ProFoto, primarily for weight, reflector system suited to my interests in photography and a very happy customer base. Broncolour and Elinchrome were the other two choices but ended up with the decision on Profoto simply because those photographers whose opinions I've come to respect over the last three years have suggested it as being a good route (two of them are in the process of switching to a D4 system). I'm happy with the decision. It has been a hard decision for me, as this is my first jump into studio lighting. Link to comment Share on other sites More sharing options...
g_guhan_gunaratnam2 Posted December 30, 2005 Author Share Posted December 30, 2005 So which litestands then? (as far as model/make) to hold a Chimera softbox (54x72") and Profoto Acute 2 head? Link to comment Share on other sites More sharing options...
midhun Posted December 30, 2005 Share Posted December 30, 2005 One quick question, is all this happening in India ? I mean are all these available in india ? Link to comment Share on other sites More sharing options...
g_guhan_gunaratnam2 Posted December 30, 2005 Author Share Posted December 30, 2005 Nope, its not happening in India (I'm in Canada). And from what I saw in Delhi two years ago, there is little chance of getting most of the equipment mentioned without ordering internationally. Mumbai might be another story. But for the cost of a full studio system, a trip to Hong Kong/Thailand from India wouldn't make a huge difference. Link to comment Share on other sites More sharing options...
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