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concert shooting with D2X


russ_savage

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Need some advice as to which lens would be the best bet for some concert photography.

Need a fast lens with medium zooming.. i should be pretty close. i have looked over some of

the obvious and have around 800$ to work with.. just seeing if anyone out there has some

ideas, personal experience, overlooked info that would be helpful, thanks in advance.

 

rSavage

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50mm 1.4, 50mm 1.8, 85mm 1.4, 85mm 1.8, 105mm 2, and 135mm 2 all seem like good options to me, but no zoom (do you have room to move back and forth?) and I believe all are within your budget. Maybe get a 50 f/1.8 and the 85 f/1.8, and spend the leftovers on something else.
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I shoot concerts a lot. I don't use Nikon, but that isn't really what matters here.<p>

 

There are a lot of things to consider:<p>

 

How far from the stage are you?<br>

How many people are playing at once?<br>

Do you want to get them all in the photo at once?<br>

How much light is there?<br>

Will you use (need) flash?<br>

How rowdy will the audience be?<p>

 

I almost always take three fast primes, 20mm, 35mm and 50mm. For some venues, I take an 85mm also. I always take a flash, because stage lighting can be a lot lower than you think. I go to sound check and talk to whoever will be doing the lighting. I get permission to shoot onstage if it's going to be really crowded.<p>

 

<Center><img src="http://www.spirer.com/jellys/candyfromstrangers/images/candy4.jpg"><br>CandyFrom Strangers, Copyright 2005 Jeff Spirer</i></center><p>

 

That was shot with 50/1.4 from fairly close.

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i'll be right up close to the stage approx. 2-4 feet from the singer with about 4 feet to move

back if necessary.. there'll be three people playing that aren't that far apart, but the main

subject is the lead. not sure about the lighting, but i am thinking i'll need a pretty fast lens if

it isn't that good. also i'd like to shoot at least some without a flash.....i have a 50mm 1.4...

so maybe i should get that 85.. i like the primes you take, good call...the audience shouldn't

be an issue, i'll be in front of a small fence thing. thanks a lot for all your help everyone.

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If you're going to be that close I'd go wider--my favorite is a 24/1.4 on FF (sorry,

trespassing Canon user), even a 50 on FF seems long to me, let alone on 1.5x. Nikon's

excellent 28/1.4 is out of your budget, but the Sigma 30/1.4 would fit, as would the

Sigma 20/1.8. Both of these lenses have a few issues, but they're far from bad, especially

on a crop sensor.

<br><br>

Remember that noise and underexposure can, up to point, be fixed later. Motion blur is

forever. Get a decent shutter speed--I try to stay above 1/100--and keep your lens not

quite wide open. If that means 1600 and a couple stops of underexposure so be it.

<br><br>

If you've got a wide lens, especially if you've got the 20, don't be afraid to try away-from-

your-eye shots. This lets you get even closer, and by equalizing height can help prevent

the up-the-nose look. You'll have a lot of misses, but the keepers will be worth it.

<br><br>

<img src=http://www.punktures.com/images/agentorangejt/AW1C9839.jpg>

<br>

Bruce Taylor of Agent Orange, 24/1.4 shot with my arm fully extended at about a 45

degree angle.

<br><br>

Roger Krueger<br>

<a href="http://www.punktures.com">www.punktures.com</a>

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