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New 18-200 VR zoom ring issues


ottocrat

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I finally took delivery of my new 18-200 VR lens this evening, and I've been playing with it for

a couple of hours. Everything seems to be working more or less as it should - but one thing

bothers me slightly. The zoom ring seems loose at the extremities and stiff through the

mid-range. Also, there is zoom creep throughout the range except when fully retracted at

18mm. It's almost as if the thing is spring-loaded. Is this going to settle down with use? I

don't want to exaggerate, it's just not quite the beautifully-cammed, well-damped

masterpiece that I'd been expecting...

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My lens has none of the issues mentioned, but I haven't tested for zoom creep - it might have some, but not enough to bother me.

 

I did have variable stiffness of the zoom ring on my old 24-120VR. It worked fine none the less so I didn't bother trying to fix it.

 

If it works ok don't worry, just shoot - you'll get used to it!

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The origianl 24-120 didn't just creep, it fell. Nikon ended up fixing all of them and those that came after the second or third wave don't creep at all. There was no way Nikon didn't know about the creep in that lens so I look for some free fixes in the future on the 18-200 VR.

 

Conni

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I've also posted this subject up before. Unfortunately it's the aggravating characteristics of this lens design. I also dislike the rattly feel to it, zoom creep etc etc.

On a positive note, my one rattles, creeps and generally wobbles about dreadfully after only a couple of months of use, but still makes fairly sharp and detailed images at actual size on a D1X and D70s.

It's working for me not to ponder too much on the build quality and concentrate on the picture making instead.

 

http://www.photo.net/bboard/q-and-a-fetch-msg?msg_id=00FSEN

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George,

 

I�m new to the world of DSLR and still a novice at photography.

 

I really like your bus shot above. I would love to know how you actually did it and what is this technique called in the photographic world.

 

Can any one point me to any book/tutorials about this doing stuff like this. I recently got a Nikon D50 with a 50mm 1.8 prime lens. I�m still waiting on my 18-200mm VR.

 

Thanks.

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Luckily, my 18-200mm is tight throughout the zoom range, but I've had other zoom lenses that did creep after years of use. This can be aggravating if you are shooting on a tripod with the lens pointed downward. Gaffers tape can save the day.

 

I'm disappointed that Nikon can't seem to get a handle on this and other quality control issues. This is the sort of negative variation one used to expect from 3rd party lens makers.

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Just to add that on a shoot outside with this lens over my lunch break I found myself having to recompose the shot a few times as the zoom would creep while I was adjusting the polariser. So, yeah, creep seems to be an issue.
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Hi Soumya,

 

Thanks for your kind words�

 

The Bus picture was created by shooting with a fairly slow shutter speed�1/20 second, then�while the picture is being taken you zoom from wide to telephoto�

 

It is the zooming action while the picture is being exposed that causes those streaks in the picture. I will say that the 18-200mm VR Zoom Nikkor really did help out in this case. I had the camera set to shutter priority 1/20 sec�and when I saw the bus rolling towards me I simply pointed�pressed the shutter and zoomed in to the bus�The Vibration Reduction did help steady the action.

 

I am quite pleased with the lens.

 

Thanks again and happy shooting!

 

George Goodroe, CFP

St. Petersburg, Florida USA

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John:

 

Nikon has fixed all the cascading (ou could hardly call it slifding it was so loose ) 24 - 120s and those bought two years later are perfectly solid. And a 24 - 120 is a pretty broad zoom. So the idea that we have to accept creep in this zoom doesn't work. The 18 - 200 is a far lighter lens, as well.

 

Conni

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Chris, are you using this lens with the camera on tripod? Then zoom creep could be an issue. If handheld, you must be holding the camera by the body in your right hand and turning the polarazier with your left. I find it more comfortable (and stable) to support the camera in my left hand by the lens barrel and turn the polarizer with my right hand.

 

BTW I checked my lens - no creep, no slack, just snug and smooth. Guess I was lucky!

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Hashim, usually I'd be working handheld though I would certainly be using a tripod

sometimes.<br>

<br>

After 24 hours I'm pretty disenchanted with this 'wonder lens' - the stiff barrel and the

creep are one thing, the poor optical quality another. I'm not expecting miracles but I am

expecting it to be in the same ballpark as my 18-70 in terms of sharpness throughout the

frame. At large apertures the 18-200 is unacceptably blurred at the edges of the frame

(not the extreme edges either). Here is a comparison of the 18-200 at 50mm and f/5.6

with the 18-70 and the 50mm f/1.8 prime (also both at f/5.6):<br>

<br>

(1) <a href="http://homepage.mac.com/chris.kendall/.Public/18200%

20crop.jpg">18-200</a><br>

(2) <a href="http://homepage.mac.com/chris.kendall/.Public/1870%

20crop.jpg">18-70</a><br>

(3) <a href="http://homepage.mac.com/chris.kendall/.Public/50prime%

20crop.jpg">50mm prime</a><br>

<br>

These are 100% crops taken from the upper right corners, in all of them the centre was in

sharp focus. OK, obviously the prime is going to be far better than the other two, but

what I wasn't expecting was the difference in quality between the 18-70 and the 18-200.

There shouldn't be that much of a difference, should there?

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Hmm, that could be the case. This is my first VR lens and I'm just getting used to it.

 

Having slept on it I'm inclined to think that I'm being a bit anal about the sharpness, after all this was shot wide open and normally I'd be shooting stopped down to f8 at least (one of the advantages of the VR).

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