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No Words: Slim or slender


arnabdas

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Juri, I can supply for mine -- the stinkbug (RVP 50) was Tamron 90mm/f2.8 SP AF Macro @f11, The green (RDPIII) and yellow (RVP100F) damsels both are 200m/f4 AFD ED IF Micro Nikkor @ f8 and f11 respectively. Camera body used - FM3A.
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Arnab: thanks much, but your images are as good or better and in particular, your

damselflies are far superior than any images I've gotten of that group.

 

Technical: the gray sanddragon and the sandhill crane were both shot with a DSLR and a 500

mm lens: the former with extension tubes and a 2X converter, the latter with a 1.4X

converter.

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"In using extension tubes and a doubler, what should the order be? i.e. camera, tubes, doubler, lens OR camera, doubler, tubes, lens. Which would be better? Thanks."

 

Mark knows better about the combination he usd, but in general 1) you get greater magnification and shorter WD if you put the tube between the lens and multiplier, and 2) you get more WD but less magnification if you put tube behind lens+multiplier. You need to decide depending on the situation and what you're tying to achieve.

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Arnab is correct in terms of function. I don't know if there are changes in optical quality

depending on the order of tubes or converters (I haven't noticed any, but I haven't looked

carefully either -- both seem to work).

 

Another issue with some equipment (I use Canon; not sure what the situation is with

Nikon's wide array of converters and tubes): the order of tubes and converters can

influence if/how well autofocus works. Usually AF isn't important in macro work, but with

a big telephoto like what I use for very shy subjects, it is can be very helpful to counteract

small movements caused by twigs or grass waving in the wind. With Canon, lens -->

converter --> tube --> camera lets AF work normally, but it goes all wonky if you use

lens--> tube --> converter --> camera.

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"How do you control this? Do you use natural or artificial drops?"

 

No artifical backdrops, my models are probably way more finicky than Kate. I choose a longer focal length and an appropriate aperture to create background blur.

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<I>Arnab and Mark I notice the background in all your shoots are simple and plain, just the

right colour. How do you control this? Do you use natural or artificial drops?</i><P>

 

Just like Arnab says: natural backgrounds, long focal lengths. If you use a long focal length

and there's nothing close to the subject, even a fairly complex environment will blur into a

very smooth, uniform background. In the case of my two images above, the background was

already simple even without the limited DOF of a telephoto (a pond surface for the

sanddragon; sky for the crane).

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Greg: I think your snake is a parrot snake. I say this with some confidence only because I

was in Panama a couple of weeks ago and saw one of these being picked up by someone who

turned out to be a herpetologist. I thought it was a vine snake, but was told otherwise.

Vine snakes have longer, skinnier heads with more pronounced 'groves' in front of the eyes.

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A few more....<P>

<center>

<img src ="http://www.biology.ucr.edu/personal/MACphotos/birds1/

commonloon3.jpg"><BR>

common loon<P>

 

<img src ="http://www.biology.ucr.edu/personal/MACphotos/birds1/LBH1.jpg"><BR>

little blue heron<P>

 

<img src ="http://www.biology.ucr.edu/personal/MACphotos/birds1/

tricolored2.jpg"><BR>

tricolored heron<P>

 

<img src ="http://www.biology.ucr.edu/personal/MACphotos/Panama/

squirrelcuckoo1.jpg"><BR>

squirrel cuckoo<P>

 

<img src ="http://www.biology.ucr.edu/personal/MACphotos/Panama/

bluecrownedmotmot3.jpg"><BR>

blue-crowned motmot<P>

 

<img src ="http://www.biology.ucr.edu/personal/MACphotos/Panama/

blackthroatedtrogon1.jpg"><BR>

black-throated trogon<P>

 

</center>

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Mark, You could be right. I actually have a photo of a parrot snake (just the front end) I took on a previous trip, at the same location. Actually now that I Google around, I'm convinced you are correct. Thanks for the info! :) Although the snake was on a tile floor it was incredibly cool to see it. It took off into a tree and rapidly disappeared.

 

Looks like you had a great time in Panama and took some wonderful photos. Fantastic! Cheers, -Greg-

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Great photos Mark, really nice! That close up of the motmot took me by surpise... interesting beak. Snakes are generally very tough to find (except for the garter snakes here in Portland :). On our first trip to CR I got to see the infamous fer-de-lance on a night hike. We saw another when we went back to the vehicle. Haven't seen one since. Again, a really nice gallery, thanks for sharing. -Greg-
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