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Why did R4 not continue with R3's shutter?


terry_scott

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AFAIK Leitz was still working with Minolta since the R4 was also based on a Minolta body. Three posibilities come to mind, but other than a Leitz engineer who was in on the design, all we can do here is speculate. One possibility is that the CLS was not set up to work with a multi-mode meter (the R3 has only aperture-priority). Another is that perhaps it didn't physically fit in the confines of the smaller body. The third is economics, as Copal was a separate entity from either Leitz or Minolta, perhaps they would not produce it at low enough cost to satisfy the budgetary demands of the bean counters.
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