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Why Don't More Landscape photographers use Hasselblad?


steve williams

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<i>why would they be leaving it in droves for digital</i>

<p>

Because (a) the quality's getting very high, (b) it's good enough for most commercial and high street photography, © it saves them $10K+ a year in film and processing costs, (d) it streamlines work flow.

<p>

The dumping of MF film gear by professional photographers is a windfall to other MF users. The risk you take in buying MF gear cheap is that you can't predict how long you'll be able to get your favorite emulsions in 120. Also, the market situation will probably bankrupt some manufacturers who can't adapt.

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"I think 35mm is in serious trouble as DSLR's are either as good as, or soon

will be as good as or better than 35mm film"

 

The current DSLRs are already better than 35mm. They also can give MF a

run for their money at certain print sizes.

 

"I think the people who are dumping MF gear are mostly wedding

photographers who are switching to DSLR's."

 

There are a lot more people than just wedding photogs dumping MF.. just

read on these forums... I eventually will as well...

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Did you get these figures from Ken Rockwell? 22mp is quite an exaggeration

from the results I've seen...

 

I use a Pentax 67, it's image quality is amazing.. but I've seen images from

6mp DSLRs that can rival it up to a certain point.. an 8x10 for example will be

very close.. above that the MF will win more clearly though from what I've

seen...

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I don't think I got them from kenrockwell.com (I don't remember.) Actually, I think I read them on this site somewhere, but could be wrong.

 

I may not have been clear. I was talking about bigger enlargements - above 8x10 (16x20, 20x24, etc.). When you look at 4x6, 5x7, 8x10, there's not going to be as much benefit for the larger formats.

 

If those are exaggerations, what are the actual numbers? (Does Ken Rockwell exaggerate, by the way? I don't know him at all. I've seen his web site a few times, though.)

 

Steve

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<I>Also, how can it be approaching MF, when MF is approx. 50MP??? </i><BR><BR>I'm not here to make an argument either way - I have a Hassie and a digital camera. But I would point out that the quantity of pixels, can be rather meaningless. Case in point: I sometimes scan 35mm slides with my 4000 dpi scanner and get somewhere around a 55mb file. I'd say 90 percent of the prints I make aren't even close to what my measley 6Mp Canon 10D can do just about every time. I suspect this is due to film grain, which starts to show up pretty well when scanned at 4000 dpi. Digital images just tend to enlarge better. A year or so ago, I wouldn't have believed this myself, but for better or worse, it's true. Now if I were going to Yosemite tomorrow, and I could either take my 10D or my Hassie, which would I take? The Hassie in a heartbeat! Best wishes . . .
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Digital images do NOT enlarge better than film images. There was a fairly

recent a/b comparison, I believe on photonet where they show the results of

greatly enlarging a digital image and a film image. The digital image at a

certain point just became a detail less jaggy blob, type in it was totally

illegible, the exact same image on film, enlarged to the same degree, was

grainy, but it still held vastly more detail, and you could easily read type that

appeared in the image.

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The square can be nice, concentrating your vision into what I call a window

view and centering the viewers attention. To crop the 6x6 tho seems a waste

of film territory. Why not just shoot a 6x7 instead if you want a more

rectangular image and crop it to 6x6 when necessary. In the end as stated

before, cameras are tools, and I'm sure your tool box will hold more then 1 or

change as needed. If anything be different.

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<i><blockquote> I think the people who are dumping MF gear are mostly wedding

photographers who are switching to DSLR's </blockquote> </i><p>

 

And studio photographers, and event photographers, and fashion photographers,

and....

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<i><blockquote> Why not just shoot a 6x7 instead if you want a more rectangular

image and crop it to 6x6 when necessary. </blockquote> </i><p>

 

Lenses and bodies are bigger, bulkier and heavier, for starters. Lens slap is usually

more pronounced, and sometimes (as with Pentax 67) a bigger, more expensive, better

dampened tripod is consequently needed.

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I think many people are just happy with a 6m or 8m picture. So to them the film or digital debate is over. But we are better.

 

One great advantage of digital is software. If you don't have Photoshop, would you still prefer digital? My theory is that while 6mp can be quite a humble figure, it is the software that makes the 6mp work. Colour and contrast adjustments, sharpening and special effects. These are all at work to please/fool the eyes.

 

But film can also benefit from the software resolution as soon as you digitise the images. Whenever I look at my projected 35mm slides, I am always amazed by the amount of "data" contained there. I hope eventually we will have better (and cheaper and faster) technology to scan a film, more bit depths, better dust/ grain removal software etc. that are targeted for films. Then I will know that film will survive. Just MHO.

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<I>Digital images do NOT enlarge better than film images</i><BR><BR>I have found the opposite to be true with my images and equipment. I'm not familiar with the test you refer to. In my example, I used 35mm film and perhaps that explains it - MF will likely do much better, and of course LF even better than that. I still stand by my initial point: the mere quantity of pixels one ends up with after a scan is relatively meaningless. YMMV. Best wishes . . .
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".[. Z , jul 15, 2004; 11:05 p.m.

 

I think the people who are dumping MF gear are mostly wedding

photographers who are switching to DSLR's

 

And studio photographers, and event photographers, and fashion

photographers, and...."

 

 

I know an awful lot of studio photographers and fashion photogs, and they all

use MF cameras with either film or digi backs. I don't know any who have sold

their MF and replaced them with DSLRs, then again I am referring to

photographers who are at very high levels of quality requirements, national

advertising and editorial, it could be different with people doing less

demanding work.

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There are alot of photographers which use Hasselblad for shooting both snowboarding and alot of skateboarding. These sports are very fast moving, but Hasselblad seems to do a great job. Most og these photographers use either the 200 or 2000 series for it's high shutter and 30mm lens posibility. I would say Hasselblad work great for sports also.

 

You can check out www.atibaphoto.com for excellent results on Hasselblad used in fast moving skateboarding.

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A comment by:

"harvey platter , jul 17, 2004; 05:06 p.m.

"I don't know any who have sold their MF and replaced them with DSLRs,"

 

Given that you probably don't know any real photographers at all, your

opinion is of little interest to most people."

 

Harvey you're very amusing, it might benefit you to know what you're talking

about before you make an embarassingly dumb remark.

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Harvey, please share with us your experiences with "real" photographers, I'm

eager to learn from such an accomplished photographer as yourself. I'm

surprised to find out that the last 30 years I spent as an advertising and

editorial photographer in NYC have somehow kept me from meeting "real"

photographers.

 

www.kosoff.com

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I am a landscape photographer,have published a few books...mostly work with

Linhof 617 cameras.This year however I turned 50...and decided to

commemorate the milestone by shooting my "personal" work with a Hasselblad

500CM and a 50 Distagon.I am loving this camera/lens combination!I use Fuji

NPZ 220 film and handhold almost everything just to depart as much as possible

from the my normal Velvia/tripod/Linhof methodology...My project for the year is

entitled "50 at 50"...at the end of the year I will choose 50 images and put together

a portfolio..and perhaps a book.But the Hasselblad has been so much fun!Never

thought I would enjoy the square format until I started shooting a few weddings

on the side,but did not consider it for landscapes until now.Glad I did!

 

By the way,check out my website: www.garyirving.com...it is in great need of

updating and reformatting,but if you are interested in landscape you might enjoy

it.

 

Gary Irving

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