mad1 Posted June 23, 2006 Share Posted June 23, 2006 I will be using both 2 1/4 and 4x5 films. Using a Sekonic L-508 for my scenereading. Any1 has good recipe w/ any Dev vs Film combo? I don't have adensitometer, so i'll not be able to do my own reciepe :(... I'll be using aunicolor processing drum on a beseler motor base for the 4x5 and a standard 4reals (35mm) stainless tank for the 2 1/4 films, processing 2 of them at a time. Thanks, Marc-Andre Dumas (M.A.D.) Link to comment Share on other sites More sharing options...
christopher_frohne Posted June 23, 2006 Share Posted June 23, 2006 I am using EFKE ASA 100 4 x 5 film from JandCPhoto and the developer is a brown stain developer W2D2+ from formualaryphoto.com. The developer exhausts on the highlights but continues to develop the shadows. I have used this on all my photography. Go to this website and go to Main St Station - frohnec is my name. http://www.f295.org/Pinholeforum/forum/Blah.pl?b-cc/ Link to comment Share on other sites More sharing options...
john_shriver Posted June 23, 2006 Share Posted June 23, 2006 If a scene with nine zones of contrast range prints properly on your desired paper grade (presumably number 2), you have the correct exposure and development. (Negative density range about 1.65.) A densitometer can get you there faster, that's all. Ansel didn't have one when he started. Of course, if you're scanning the negative, you probably want less density range on the negative, to avoid Dmax problems with the scanner. Maybe a density range more like 1.2 to 1.4? The whole point of Zone system is calibrating EVERYTHING. Your meter, your lens, your shutter, your thermometer, your water, your developer, your film, your paper. Absolute measurements of each aren't needed, it is just a matter of getting the right results. What is important is that after doing the calibration, everything you use in the process is repeatable. For instance, if your thermometer reads three degrees low, that it ALWAYS reads three degrees low. Link to comment Share on other sites More sharing options...
stwrtertbsratbs5 Posted June 24, 2006 Share Posted June 24, 2006 I like HP5+ in D76 EI 200. I dilute 1:3 and develop at 68 deg for 14 min with 2 inversions each minute (for N). It's a very nice film. And you might try my recipe as a starting point and adjust for your own process. Link to comment Share on other sites More sharing options...
jtk Posted June 27, 2006 Share Posted June 27, 2006 John Schriver's half right, but he's VERY right on that half :-) The other half is learning to see tones and describe them as zones, knowing what to do with John's science side of things to get what you want. Previsualization is half of Zone System. Link to comment Share on other sites More sharing options...
mad1 Posted June 29, 2006 Author Share Posted June 29, 2006 Using a spotmeter is absolutly essential in the visualization process to calculate the stops between the brightest and the darkest area and then, adjust the developement... Link to comment Share on other sites More sharing options...
James G. Dainis Posted June 29, 2006 Share Posted June 29, 2006 To me, the Zone system is a straight mechanical process. If the spotmeter shows the highlights are going to fall on zone 10, I use N-1 development to bring them down to zone 9. If the spotmeter shows the highlights are going to fall on zone 8, I use N+1 development to bring them up to zone 9. James G. Dainis Link to comment Share on other sites More sharing options...
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