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Zeiss ZE is EF mount - 50 and 85 f/1.4 soon with 21 f/2.8 next year


mark u

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I could get used to manual focus with the beep confirmation. All I need to know is the camera says its in focus. And if I want to change it, I have that purogative to do so.

 

Someone has said that the new Zeiss 50 1.4 lens is not as good as the old Contax version based on the bokeh it produces. Anyone confirm this?

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Should be interesting if these new lenses rival the old ones, I can`t believe canon can persist in not upgrading its ancient 50 1.4 when other brands are puttin out better options. I would not buy another ef50 1.4 and use a 1.8, for 1.4 now use zeuko. hope this zeiss is nice.
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"Should be interesting if these new lenses rival the old ones, I can`t believe canon can persist in not upgrading its ancient

50 1.4 when other brands are puttin out better options."

 

Seems to me the EF 50 1.4 USM only dates from the mid-90s, hardly ancient by 50mm standards! I suspect most lens

designers are merely using the same old classical optical designs for current 50mm primes, maybe with minor tweaks

and a new barrel.

 

I was never happy with the EF 50 1.4. I do really like my EF 50 2.5 CM and 50 1.2L USM, so no biggie. More choices

than such a tiny market needs. Mostly old farts shooting 50mm 'cause they grew up with it.

 

I'd never buy a manual focus lens for an EOS body. After all, I switched to EOS in the 90s so I could use AF as MF was

getting increasingly difficult for my eyes. Still have my old MF Nikon gear and use them as paperweights. My old Nikkor 50 1.4 AI is a nice

loupe!

Sometimes the light’s all shining on me. Other times I can barely see.

- Robert Hunter

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In English at dpreview.com:

 

Carl Zeiss has confirmed that the mysterious 'ZE' mount it will start making lenses for is the Canon EF mount. Initially the company will make its Planar T* 50mm and 85mm F1.4 manual focus lenses available. Both will be available by the end of 2008. The range of lenses in the Canon mount will be expanded in future.

 

http://www.dpreview.com/news/0809/08091501Zeissforcanon.asp

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There are now a couple of articles in English on the Zeiss site - one reports on the experience of a couple of photographers with the new EF mount lenses and includes some small images shot with them, while the other is basically the new product announcement and includes a photo of the 50mm that shows it has no aperture ring.

 

This article:

 

http://www.colorfoto.de/News/Carl-Zeiss-SLR-Objektive-_-Jetzt-auch-mit-EF-Bajonett_4488943.html

 

mentions that several Canon patents related to the EF mount have now expired - which has allowed Zeiss to use them without requiring a licence. A corollary is that all other third party lens manufacturers will be able to do likewise.

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I suspect that the most recent offerings from third parties are already taking advantage of any formerly patented design elements that are still relevant (they will be just as aware as Zeiss of the patents): however, the nature of lens electronic control in terms of the circuitry used has changed completely since 1987. Instead of custom designed ICs per lens we now have rather more generic MPU and program designs. More recent innovations such as stabilisation are already offered by Tamron and Sigma as well as Nikon. Manufacturers have found ways around the patents that work. However, the ending of some patent protection should mean that users can have more confidence in the functionality of alternatives.
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Re: Stephen.

 

Yes, they're made by Cosina, but so what? Cosina has stepped it up a notch over the last few years. They're producing some excellent quality lenses, and I would expect these to be no exception. Have you ever seen or handled any of the M-mount rangefinder lenses made by Cosina for Zeiss or Voigtlander. They're solid as a rock and they're giving Leica hell in terms of image quality, sometimes with out even considering the much lower prices.

 

Whether it's worth it to you is entirely personal, but I'm planning to save up for a few of these.

 

Paul

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I am a user of the Nikon-mount ZF 50/1.4 and it is a great lens mechanically and optically. It really adds

quality to my available light photos. I have made some A3 prints shot at f/2.8 (on D3) and they're really

detailed. The bokeh at f/1.4 is not the best, but at f/2.8 there's nothing to complain about.

 

I don't think there is anything to be concerned about with regards to the location of manufacture. All of my ZF

lenses have been flawless in terms of cleanness & mechanical quality. Initially I had some issues focusing my

25mm but after rigorous testing I found it was more to do with my eyes and careless use than a lens fault. The

35mm and 50mm, as well as the 100mm f/2 macro in particular are great lenses. (I have tested the 100mm only

briefly and will be getting it soon. It's expensive but very crisp and CA-free. )

 

The look of the images is different from Nikkors. I don't think the ZF lenses are expensive for what they

deliver. They're not always the best lenses to use, e.g. when compared with the new $1500 Nikkor zooms but they

are very flare resistant, contrasty, flat field, compared to the Nikkors and easily better than the (somewhat

dated) equivalent Nikon primes.

 

I think anyone looking for a top quality macro lens or a wide angle / normal prime and likes to use manual focus

and wide apertures would do well to at least consider the new Zeiss lenses. They're not for everyone, but they're

worth a serious consideration. They're practical lenses meant to be used, not for snob appeal but because they

are very good at what they do.

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"Someone has said that the new Zeiss 50 1.4 lens is not as good as the old Contax version based on the bokeh it produces. Anyone confirm this?"

 

My Contax Zeiss 1.4/50 (the Ninja star version) is capable of producing some utterly horrible out-of-focus highlights under the right conditions. But sometimes its bokeh is interesting and beautiful.

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>My Contax Zeiss 1.4/50 (the Ninja star version) is capable of producing some utterly horrible out-of-focus highlights under the right conditions.

 

All Zeiss (non-Jena) lenses from 1972 onwards sport the T* logo and coating.

 

Virtually all 50mm lenses have poor background bokeh wide-open because of over-corrected spherical aberration intended to improve sharpness.

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