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Zeh Goldi 3x4 in Portra NC Color


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The Goldi is a very neat camera and can be had for a few USD, well worth it for

its construction and

 

compactness it offers.

 

It was the cute little child of Zeh-Camera-Fabrik(Paul Zeh) of Dresden which

made folding camera until

 

its demise some time after WWII. The years of production for Goldi, ran from

late 20s to early 30s, and

 

mine has the "vintage" smell as if to prove its 80 years of existence. <p>

 

It uses 127 film and takes 16 exposures on 3X4 format. In my example storage

was its main enemy as the

 

camera was pretty dirty. Mechanically, I doubt this camera was better when

sold new. Its scissor struts

 

firmly spring in place when the release button is tripped. The Pronto shutter

is still going strong and

 

aperture control responds nicely to adjustments. I disassembled the lens for

cleaning(Zecanar

 

Anastigmat) and it sparkled nicely once the grit was out of there. The

focusing is done by rotating the

 

front cell and the shutter is tripped via a single lever; No cocking is

required.<p>

 

On My Goldi the top speed is 1/100s so care needs to be applied in order to

avoid camera shake. The

 

camera is slightly bigger than a deck of cards which makes it a perfect pocket

companion for any short

 

or long trips. It is true that 127 film is not as abundant as it once was,

however with a little

 

patience you can re-roll your own from the 46mm 100' rolls out there or cut

your own preferred emulsion.

 

In my outing I re-rolled from an expired roll of Portra 400NC, not ideal for

this camera with top

 

shutter speed of 1/100s, however with careful planning I was able to squeeze a

few acceptable(in my

 

opinion) shots. Well here is my Goldi and its results:<p>

 

<hr>

<p>

 

<img src="http://farm4.static.flickr.com/3259/2438823938_37e93d2f57.jpg"

width="500" height="420"

 

alt="Goldi" /><br><br>

<img src="http://farm3.static.flickr.com/2299/2438824092_d573cee231.jpg"

width="500" height="375"

 

alt="Goldi Front Standard" /><br><br>

<img src="http://farm4.static.flickr.com/3191/2438001781_6ee60fa5c8.jpg"

width="500" height="375"

 

alt="Goldi Scale 2" /><p>

<hr>

 

<h3>Madison Sq. Park Loan</h3><p>

 

<img src="http://farm3.static.flickr.com/2376/2438187356_fbe7783385.jpg"

width="409" height="500"

 

alt="Madison Sq. Park" /><br>

<i>1/100s, f/11 on Portra NC400</i><p>

 

<h3>A Lonely Dafodil</h3><p>

 

<img src="http://farm3.static.flickr.com/2243/2438187154_a3acd096a7.jpg"

width="500" height="497" alt="A

 

Lonely Dafodil" /><br>

<i>1/100s, f/6.3 on Portra 400NC</i><p>

 

<h3>Spring Bloom at MSP</h3><p>

 

<img src="http://farm4.static.flickr.com/3013/2438187022_861403cf8e.jpg"

width="405" height="500"

 

alt="Spring Bloom" /><br>

 

<i>1/100s, f/12 on Portra 400NC</i><p>

 

<hr><p>

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Ralf, those red windows are more opaque than one would think. Or, the 120 backing paper is better at screening out light than a 35mm cassette. Got my Nettar 515 pics back today, and even with Fujicolor 400 in bright light there was NO light fog!

I plan to shoot some 120 IR in the nettar very soon. Just gotta rig up a filter on front.

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My (no-name) Zeh Goldi with Rimset Compur looks fancier than this one, but performs much worse (which may be partly a bad comment on my photographic skill)

 

It has an endless supply of internal dust, seemingly immune to blasts of compressed air. I also get the Efke numbers from the backing paper exposed onto the film. Can't figure that out for the life of me.

 

Congratulations to Ralf on a fine project and results.

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I like both my Goldi Cameras. I have the 4x3 and the 4x6.5; the 4x6.4 does suffer from a flaw though, the lens does not cover the format below f:8 and to get pictures without any drop at the corners, you have to stop it to 16. The 4x3 though is very good. I also shoot my foth derby in the 4x3 format, and I like it just a bit less than the Goldi, just a bit too much busy work. Thanks for posting the pictures, and keep spreading the word of color with uncoated optics.
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