Jump to content

Z 7: Lossless and Uncompressed RAW


michael_levy3

Recommended Posts

This is not unique to the Z7. There are no specific advantages to using uncompressed RAW. Compressing without compromising on image quality (lossless compressed) reduces file size, which increases buffer size, frames per second and reduces the time it takes to clear the buffer (writing to the memory card).

 

This is a good and informative article on the subject:

Compressed vs Uncompressed vs Lossless Compressed RAW Options - Photography Life

Link to comment
Share on other sites

This is not unique to the Z7. There are no specific advantages to using uncompressed RAW. Compressing without compromising on image quality (lossless compressed) reduces file size, which increases buffer size, frames per second and reduces the time it takes to clear the buffer (writing to the memory card).

 

This is a good and informative article on the subject:

Compressed vs Uncompressed vs Lossless Compressed RAW Options - Photography Life

Thanks for the link. I wonder why Nikon bothers offering uncompressed?

Link to comment
Share on other sites

I have read that in some legal cases, the law requires that images for evidence must be unaltered, hence it must be completely raw, not compressed.

 

Wow. That's a pedantic interpretation of "unaltered", although I could believe some weird precedent got set for it. Lossily compressed I'd understand, but since Nikon has historically cooked the raw files slightly anyway...

 

The argument I've heard for fully uncompressed (other than dating back to the days when compressed got written slower) is that if there's corruption with the file, you've got a better chance of recovering the rest of the image if it's uncompressed - effectively corrupted card elements correspond to corrupted image elements (unless they hit the header) but everything else should be okay, whereas if it's compressed, there's a decent chance that a lot of the file depends on other bits of the file. On the down side, a larger file is more likely to hit card failures in the first place.

 

I generally shoot 14-bit lossless compressed (+JPEG fine), although I'm thinking of training myself to use 12-bit for higher ISO shooting.

  • Like 1
Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...