Jump to content

When is dodging and burning recommended for a print?


Recommended Posts

Personally, I have never done either one.

 

I do use variable contrast paper, and adjust the contrast to the way I want to see it.

Most often, it is more work than I want to do.

 

If it helps any, most often I keep the tone controls on my audio systems in the center

position, except for unusual cases where the source is wrong.

 

I also prefer color films that don't exaggerate the color, or give excessive contrast.

(I use Porta NC and not VC.)

 

But others, I am sure, have different preferences.

-- glen

Link to comment
Share on other sites

I always edged burned my prints the same as Ansel Adams did. I would use a cardboard to give a one or two second burn about 1-1/2 inches in from the edges of each print.

This was believed to draw the eye more toward the center of the print. I once burned some prints and didn't burn some others of the identical prints. When I asked people which they preferred that would say that they didn't see any difference but when they did chose they invariably chose the edge burned prints.

James G. Dainis
Link to comment
Share on other sites

I probably dodge or burn every b&w print I make. I adjust contrast also but dodging or burning in is common practice for me. I usually burn down excessive highlights and more rarely dodge underexposed features. How much of it depends on the characteristics of the negative but I rarely simply print one straight unless I am in a big hurry.

 

Rick H.

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...