ryansteup Posted April 3, 2017 Share Posted April 3, 2017 Whenever I create my prints I never find it necessary to dodge and burn the print. Am I missing something or is it not necessary all the time? Link to comment Share on other sites More sharing options...
SCL Posted April 3, 2017 Share Posted April 3, 2017 It is only necessary when the dark/light ratios of the subject or contrast is unacceptable to the photographer/printer. It may be desirable in other circumstances. Link to comment Share on other sites More sharing options...
ryansteup Posted April 3, 2017 Author Share Posted April 3, 2017 Thank you! Link to comment Share on other sites More sharing options...
glen_h Posted April 4, 2017 Share Posted April 4, 2017 Personally, I have never done either one. I do use variable contrast paper, and adjust the contrast to the way I want to see it. Most often, it is more work than I want to do. If it helps any, most often I keep the tone controls on my audio systems in the center position, except for unusual cases where the source is wrong. I also prefer color films that don't exaggerate the color, or give excessive contrast. (I use Porta NC and not VC.) But others, I am sure, have different preferences. -- glen Link to comment Share on other sites More sharing options...
JDMvW Posted April 4, 2017 Share Posted April 4, 2017 It's like compression in taping audio. You usually need to do it when the range of tonalities in the image are outside the latitude of the film or sensor. Brighten the too-dark, darken the too-bright (see dodging and burning). You've heard of the the Zone System? Well this is sort of the "Ozone System" (The Ozone System: Photoshop Shadow/Highlight) Link to comment Share on other sites More sharing options...
James G. Dainis Posted April 4, 2017 Share Posted April 4, 2017 I always edged burned my prints the same as Ansel Adams did. I would use a cardboard to give a one or two second burn about 1-1/2 inches in from the edges of each print. This was believed to draw the eye more toward the center of the print. I once burned some prints and didn't burn some others of the identical prints. When I asked people which they preferred that would say that they didn't see any difference but when they did chose they invariably chose the edge burned prints. James G. Dainis Link to comment Share on other sites More sharing options...
ryansteup Posted April 4, 2017 Author Share Posted April 4, 2017 Thank you for the replies! Link to comment Share on other sites More sharing options...
Rick Helmke Posted April 5, 2017 Share Posted April 5, 2017 I probably dodge or burn every b&w print I make. I adjust contrast also but dodging or burning in is common practice for me. I usually burn down excessive highlights and more rarely dodge underexposed features. How much of it depends on the characteristics of the negative but I rarely simply print one straight unless I am in a big hurry. Rick H. Link to comment Share on other sites More sharing options...
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