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Well Working with the new ORWO film is fun


larrydressler

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<p>I ordered 400 feet of the new ORWO N74 plus ISO 400 and I have to say it is fun. I also just got 100 feet of the UN 54 plus ISO 100 but I have not started with it yet. I have to say this is a fine old world and traditional film like Tri-X before the change.<br>

I started a group on it and I have lots of the test posted on that evil Flickr.<br>

I am not advertising I just think some of you may have an interest in this.<br>

<img src="http://farm8.staticflickr.com/7062/6775670564_6732de97dc_z.jpg" alt="" width="414" height="640" /></p>

<p><img src="http://farm8.staticflickr.com/7170/6842248979_af37223d18_z.jpg" alt="" width="400" height="640" /></p>

<p>Here is a link to my sets look at ORWO.<br>

http://www.flickr.com/photos/jokerphotography/sets/<br>

I can tell you where to get this film in 100 feet on up rolls as it is a movie film for now. I won't post them now as I am testing this film and I am in contact with the distributor but I did pay for my 400 feet.<br>

Larry</p>

 

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<p>Thanks <strong>Larry</strong> for the Post. I love the tones you have raised in the pictures above. What developer formula did you use? My experience with the UN54 encourages me to try more. Especially, I like the deep tones and the old fashioned gradation it affords. The film is also quite tolerant to my mistakes in development timing, temperature and agitation.<br>

<strong>Walter</strong>, you can also order this in 100 feet rolls from Filmotec, Wolfen, directly. That is how I buy making payment via PayPal. They are very prompt and responsive. They do have an agent/seller in Bombay. But he is not prompt. He tends to wait for orders to gather a volume before he imports it.<br>

Best, SP.</p>

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<p>It's a lot of film, but maybe I need to break out the old Watson loader from the cupboard.<br>

I'd probably go for the ISO100 since many of the oldies don't stop down very far, and have slow shutter speeds.</p>

<p>What film could ever be so appropriate for my vast (or is that half-vast?) collection of old East German cameras?</p>

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<p>Here's my earlier shooting of Nova SilverPlus (Indian repackaged ORWO stock, thanks to Subbarayan) on an Exakta VX1000 camera. The inset is the announcement of the name change in 1964.</p>

<p>Despite the upbeat tone of the Modern Photography announcement, I suspect the name change was not entirely voluntary if they wanted to market into the West.</p><div>00a3gf-445257584.jpg.5a2186a4af77a082a0739b822751044f.jpg</div>

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<p>OK Larry , what is a "real man's film" ?<br>

what part from exposure to final print, do you have to take precautions.<br>

I know that some of the old school eastern eutopean films are more prone to scratching .<br>

Some may require a hardening fixer. or some may be extra sensitive to reticulation.<br>

Not to be a chavinist (sp). but what separates a man's film from a beginner's film.?<br>

I do recall that , in the 1930's the German films were known for high quality and good tonality.<br>

The price is moderate, but there are other bulk B&W films that are selling for less money.<br>

By now. with the economic changes here in the USA, these less expensive films may be selling for much more.</p>

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<p>Walter, by "real man's film", I think Larry means coarse, slow, and not-too-sharp, which fairly accurately describes some of the men I know. I love that Larry finds so much joy in film-- I can relate! Still, I confess to a preference for the best film I can get, but a willingness to use and enjoy whatever that might be. </p>
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<p>OK Real mans film I do mean the grain can be a little tough to control. As for Sharp well it is sharp and no I have not had any scratching problems. Not to be chauvinistic I just like to write and talk a little more colorful than the average person. :-)</p>

<p> Thanks Jay I hate to say though that part of this whole exercise is hedging my bets for the future.</p>

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<p>A little update. I developed a roll of the ISO 100 UN54+ yesterday and I love it. I used semi stand Rodinal 1-100. A little thick at an hour but nothing too bad. I will be developing a roll of it here in a few that I shot at 160 in Diafine.<br>

http://www.flickr.com/photos/jokerphotography/sets/72157629091019774/</p>

<p><img src="http://farm8.staticflickr.com/7176/6784203074_cf629540b4_z.jpg" alt="" width="397" height="640" /></p>

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<p>I think I am going to jump on picking up a spool of each.</p>

<p>My choices of film these days is shrinking considerably due to insisting on using bulk. I don't know of any C41 available anymore. I used my last spool of Portra 160NC. I have a pile of PX still to go through, but am tempted to keep that around for a bit more. I have some spools Neopan 400 and I am guessing it will be gone soon (in bulk).</p>

<p>I have seen this <a href=" 1981,08,wbramie2_kiev6s_fotopanff_reversal and it looks like what I was getting with PX with reversal.</p>

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