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Today's feature on Alec Soth (pics + videos)


eugene_scherba

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As some of you probably know, <a href="http://www.alecsoth.com/">Alec Soth</a> is a new star in the

contemporary documentary photography, and he is apparently a very accessible person as well (though he

seems to have abandoned <a href="http://alecsoth.com/blog/">his popular blog</a> a while ago). The

City Pages today has <a

href="http://blogs.citypages.com/blotter/2008/01/reporters_notebok_alec_soth.php#more">posted a

feature</a> on him with extra material (photos, videos, links). The videos are well worth watching since

they show how Mr. Soth works.

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I saw Alec Soth give a slide presentation at Rhode Island School of Design a few years ago on his <I>Sleeping by The Mississippi</I> work. He was very candid and humble about his work and his process. <P> Thanks for the link, I read through it but it looks like there are a few more embedded links to check out as well.
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Thanks for the links Eugene. I found his discussions of portrait and assignments and camera very interesting. WRT the camera, it reminded me of "Avedon At Work in the American West" by Laura Wilson. That book, and a video featuring Avedon on PBS, brought out similar issues - the camera is so large and imposing, and the setup so lengthy that the subject starts to retreat into their own reverie. Somewhat akin to the retreat I witness on the trolly as I observe and photograph people traveling there. His interactions with the subjects, lengthy, sometimes distanced, but watchful and unnoticed under the hood, also resonated. Reflecting on that process of setting up a shot with 75-100 lbs of gear, arranging the scene and subject, over many minutes, definitely introduces another dynamic.

 

I also do photo assignements on a very modest basis - Covers for a local advertiser magazine, but often find them also an interesting experience - different from the Street Photography I do most - directed and focussed, but full of enough surprises that thinking fast on your feet is required. I also find some of the instincts of watching faces on the street to be helpful at this.

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Eugene -- thanks. Worth watching. Some of his comments on portraiture suggest a process more cerebral than I realized. And I do like the photos Soth makes. (Haven't seen everything yet, as the buffer was slowing things down and causing hiccups in the video.)

 

All those photographers near you, Bob J -- must be something in the water ?

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