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Summicron 35mm f/2 Black 8 Elements Or 7?


jaycee_chan

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Another Questions Since U Guys Know Everything Please Help me Out Here!

Before 1969- 8 Elements Summicron

From 1969-1979 6 Elements Summicron

From 1979-1996 7 Elements Pre-ASPH Summicron Canada And Germany

From 1997-XXXX 7 Elements ASPH

Can U Guys Give Me Your Own Thoughts About These Lens Above!

I am trying to get one for my M6TTL LHSA and i heard that 7 and 8 elements are the best

(For Black and White 100% Better)...but just want to make sure before i spend like couple

100 dollars or maybe more...

One last thing dose the new lens Leica makes now days any good compare with the old

ones? Because i heard the new one supposed to be better(On Colors at least and weaker in

B&W)....well that is what they said...maybe they just want people to buy them...<div>00F9kT-28017184.jpg.80c7c39300ba964026e8441d716e7cfa.jpg</div>

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I sold my Wetzlar made black paint 8 element Summicron and kept the 6 element that I also owned. For a number of years I'd find myself in situations where I'd be shooting B&W a color at the same time so having duplicate equipment made sense. When it came time to pick which to keep? My choice was the obscene amount of money I was always being offered for that black paint eight element. I kept the six element.
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The lenses from the early era lacked microcontrast and the image has sort of a soft/sharp quality.

 

Lots of people like the image as opposed to today`s bitting high contrast image.

 

The lens shown is an early one, probably version 1 or 2. I am not versed enough to tell them apart with just a side view. I think it is a black version 1 and worth lots of money. Hope an expert chimes in. You may have to put up more views. One showing detail of the focus tab will help.

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I have two 35mm Summicrons, a 6 element version 2, and a new ASPH. I love them both.

The v. 2 produces great b&w negatives and the ASPH produces outstanding slides with

glorious colors. I don't know why most people ignore the v. 2 (and v. 3) lenses. Mine seems

to have no vices and I got it for a song. I like to think of it as the "Rodney Dangerfield of

Bokeh" since it's so often ignored, despite being such a fine performer.

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The lens pictures is a version I.

 

The reduction from 8 elements to 6 (versions II and III) brought an increase in contrast, although they are not quite as sharp as the earlier version. Nevertheless all 35mm Summicrons--and the 35mm Summaron--are plenty sharp enough for most work. When better coating became available, Leitz went from 6 to 7 elements (version IV), for improved correction, with no loss in contrast, due to the improved coating. There is no loss in sharpness with the version IV either, compared to the 8-element version I, owning to the use of newer optical glasses. The build quality of version I is the best.

 

The version I is preferred by some for black and white, owing to its lower contrast. I wouldn't take this too seriously, as you can accomplish the same thing by knocking a minute off the developing time.

 

You can get the aspherical Summicron for less than the price of the version I. If you need the best wide-open performance, that's the way to go. You are looking at over $1000 for a version I or an ASPH. Version II or III, probably $700.00. Version IV, $900-1000. You are not going to get any 35mm Leica lens for a couple of hundred dollars, unless it fell onto concrete from a third-story balcony.

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They are all good but which is right for you depends on your personal taste. You'll just have to try them all and see for yourself. The 8 elements is lower in contrast, the 6 element higher in contrast, the second version 6 element still higher, the 7 element very high and the asph razor's edge high. Color fidelity also went from warmer to cooler. I personally like the 7 element.
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Jaycee, have you got other pics of the lens. whats the s/n? is this your lens or

one on auction. I'm not interested in it by the way - just beware there are fakes

around.

 

to answer your Q. IMO, for B&W get the 35/2.0 1st version or 35/2.8

summaron. for colour, get the 35/2.0 4th pre-APSH

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  • 2 years later...

"to answer your Q. IMO, for B&W get the 35/2.0 1st version or 35/2.8 summaron. for colour, get the 35/2.0 4th pre-APSH"

 

Can anyone kindly share some thoughts on this? I heard about this from somewhere else but never understand why.

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  • 9 months later...
<p>sorry for (v late reply!)// been out of the loop for a bit. to answer your Q, its got to do with the coatings and lens design/drawing/character. Earlier 35's like the summaron and cron 1st V are superb for B&W due to their less contrastiness, where the shadows are better captured. The newer lenses are better for colour due to better more accurate coatings</p>
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